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Mahabharata (Gita Press) 7.49.18 - Drona Parva, Adhyaya 49, Shloka 18

Droṇa-parva Adhyāya 49: Yudhiṣṭhira’s Lament and Strategic Foreboding after Abhimanyu’s Fall

उपप्लुतं यथा सोम॑ संशुष्कमिव सागरम्‌ | पूर्णचन्द्रा भवदनं काकपक्षवृताक्षिकम्‌

sañjaya uvāca | upaplutam yathā somaṃ saṃśuṣkam iva sāgaram | pūrṇacandrā-bhavadanam kākapakṣa-vṛtākṣikam ||

สัญชัยกล่าวว่า ดุจจันทร์ถูกคราส ดุจมหาสมุทรเหือดแห้ง—อภิมันยุ ผู้มีพักตร์ดุจพระจันทร์เพ็ญ นอนล้มอยู่บนพื้น; ดวงตาถูกปอยผมหนาทึบ (กากปักษะ) ปกคลุม. ครั้นล้อมวีรบุรุษนั้นไว้ทุกด้าน เหล่านักรบเการวะก็เปล่งนาทสิงห์ซ้ำแล้วซ้ำเล่าด้วยชัยชนะ—ประหนึ่งไฟที่เผาป่าในฤดูร้อนดับลงแล้ว ประหนึ่งลมที่หักกิ่งไม้สงบลงแล้ว ประหนึ่งอาทิตย์ที่เผาโลกได้ลับไปแล้ว.

उपप्लुतम्flooded, overwhelmed
उपप्लुतम्:
Karma
TypeAdjective
Rootउपप्लुत (उप+प्लु धातु; कृदन्त)
FormNeuter, Accusative, Singular
यथाas, just as
यथा:
TypeIndeclinable
Rootयथा
सोमम्the Moon
सोमम्:
Karma
TypeNoun
Rootसोम
FormMasculine, Accusative, Singular
संशुष्कम्completely dried up
संशुष्कम्:
Karma
TypeAdjective
Rootसंशुष्क (सम्+शुष्क)
FormNeuter, Accusative, Singular
इवlike, as if
इव:
TypeIndeclinable
Rootइव
सागरम्ocean
सागरम्:
Karma
TypeNoun
Rootसागर
FormMasculine, Accusative, Singular
पूर्णचन्द्राfull-moon (like)
पूर्णचन्द्रा:
TypeAdjective
Rootपूर्णचन्द्र
FormFeminine, Nominative, Singular
भवदनम्having a face (like ...); face-possessing
भवदनम्:
Karma
TypeAdjective
Rootभवदन (बहुव्रीहि/कर्मधारय-समास; भावदन = 'whose face is')
FormNeuter, Accusative, Singular
काकपक्षवृताक्षिकम्whose eyes are covered by side-locks (kākapakṣa)
काकपक्षवृताक्षिकम्:
Karma
TypeAdjective
Rootकाकपक्ष-वृत-अक्षि (समास; वृत = √वृ 'to cover' कृदन्त)
FormNeuter, Accusative, Singular

संजय उवाच

S
Sanjaya
A
Abhimanyu
K
Kaurava army (Kaurava-senā)
M
Moon (Soma)
O
Ocean (Sāgara)
S
Sun (Sūrya, implied in simile)
W
Wind (Vāyu, implied in simile)
E
Eclipse (Grahaṇa, implied in simile)

Educational Q&A

The verse heightens the moral contrast between Abhimanyu’s luminous heroism and the Kauravas’ celebratory roar after encircling and killing him. It implicitly critiques triumph that ignores dharma—victory gained through collective overpowering of a lone, exhausted warrior—by framing the scene as a cosmic dimming (eclipse, dried ocean), not a noble conquest.

After Abhimanyu has devastated the Kaurava forces, he is finally brought down and lies on the battlefield. His hair falls over his eyes. The Kaurava warriors surround his body and repeatedly shout lion-roars in jubilation, while the narrator uses a chain of similes (quenched forest-fire, stilled wind, setting sun, eclipsed moon, dried sea) to convey the sudden, catastrophic stillness after his fall.

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