Duryodhana’s Anxiety, Bhīṣma’s Reassurance, and Renewed Mobilization (दुर्योधनचिन्ता–भीष्मप्रत्याश्वासन–सेनानिर्गमनम्)
सत्यव्रतं च सप्तत्या विद्ध्वा शक्रसमो युधि । नृत्यन्निव रणे वीर आर्ति न: समजीजनत्,युद्धमें इन्द्रके समान पराक्रमी वीर अभिमन्युने सत्यव्रतको सत्तर बाणोंसे घायल करके रणांगणमें नृत्य-सा करते हुए हम सब लोगोंको अत्यन्त पीड़ित कर दिया
satyavrataṃ ca saptatyā viddhvā śakrasamo yudhi | nṛtyann iva raṇe vīra ārtim naḥ samajījanat ||
สัญชัยกล่าวว่า—อภิมันยุ วีรบุรุษผู้ดุจพระอินทร์ในศึก ได้ยิงสัตยวรตะด้วยศรเจ็ดสิบดอก แล้วเคลื่อนไหวในสนามรบราวกับกำลังร่ายรำ และด้วยเดชานุภาพนั้นทำให้พวกเราทั้งปวงระทมทุกข์ยิ่งนัก
संजय उवाच
The verse highlights the double-edged nature of martial excellence: extraordinary valor and skill (likened to Indra) can simultaneously become the direct cause of widespread anguish in war. It implicitly points to the ethical cost of battle—glory for the warrior, suffering for those who face him.
Sañjaya reports that Abhimanyu strikes the warrior Satyavrata with seventy arrows. Abhimanyu then ranges across the battlefield with such swift, confident movement that it appears like dancing, and his onslaught causes severe distress to the opposing side.