Mṛtyuñjaya/Amṛteśvara Upāsanā: Three-Syllable Mantra, Kavaca, Japa-Phala, and Pūjā-Aṅgas
मूर्तौ वा स्थण्डिले वापि क्षिपेत्पुष्पं तु भास्वरम् / आह्वानद्वारपूजार्थं पूजा चाधारशक्तितः
mūrtau vā sthaṇḍile vāpi kṣipetpuṣpaṃ tu bhāsvaram / āhvānadvārapūjārthaṃ pūjā cādhāraśaktitaḥ
ไม่ว่าจะบนรูปเคารพหรือบนแท่นดินที่ผ่านการสถาปนาแล้ว พึงวางดอกไม้ที่สว่างไสว เพื่อการอัญเชิญเทพและการบูชาที่ธรณีประตู; และการบูชาดำเนินไปตามพลังแห่งฐานรองรับ (อาธารศักติ).
Lord Vishnu (in discourse to Garuda/Vinata-putra)
Concept: Āvāhana and dvāra-pūjā are grounded in the ‘supporting power’ (ādhāra-śakti) of the consecrated base; correct placement and intention stabilize worship.
Vedantic Theme: Saguṇa-upāsanā as a disciplined means to steady the mind; śakti as the functional support for manifest worship.
Application: In pūjā, establish a clean consecrated base (sthaṇḍila/āsana), offer a fresh flower as āvāhana-token, and perform threshold/guardian worship before main offerings.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: ritual_space (murti-sthana / sthandila-vedi)
Related Themes: Garuda Purana 1.18.16 (sānnidhya-karaṇa and aṅga-ṣaṭka); Garuda Purana 1.18.18 (dvāra/dehalī-related worship sequence)
This verse frames worship as beginning with invocation and “gateway/threshold worship,” establishing a proper sacred entry into the rite before the main offerings are made.
It allows worship either on a consecrated image (mūrti) or on a sanctified ground-altar (sthaṇḍila), with a radiant flower offered as a simple, valid act to initiate the ritual sequence.
Even in simple home worship, begin with a clear invocation and a respectful “threshold” setup (clean space, designated altar), offering flowers according to one’s capacity—emphasizing sincerity and proper order over extravagance.