Sūrya-upāsanā: Lotus Mandala, Mudrā, Dik-nyāsa, and the Twelve Ādityas
आवाहनीं ततो बद्धा मुद्रामावाहयेद्रविम् / खखोल्कं स्थाप्य मुद्रां तु स्थापयेन्मन्त्ररूपिणीम्
āvāhanīṃ tato baddhā mudrāmāvāhayedravim / khakholkaṃ sthāpya mudrāṃ tu sthāpayenmantrarūpiṇīm
จากนั้นให้ทำมุทราอาวาหนีแล้วอัญเชิญพระสุริยะ เมื่อวางภาชนะ (คะโขลกะ) ให้เข้าที่แล้ว จึงตั้งมุทราซึ่งเป็นรูปแห่งมนตร์นั้นไว้
Lord Vishnu (in instruction to Garuda/Vinata-putra)
Concept: Ritual efficacy arises from coordinated action—mudrā, mantra, and proper placement (nyāsa-like discipline) to invoke the deity.
Vedantic Theme: Body-mind-speech integration (kāya-vāk-citta) as a means to concentrate sattva and invoke divine presence.
Application: Form the āvāhanī mudrā correctly; place the offering vessel steadily; hold the mudrā as the mantra is recited, treating gesture as part of the invocation.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: worship setup (mudrā + vessel + mantra)
Related Themes: Garuda Purana 1.17.3 (directional placements/nyāsa continues); Garuda Purana 1.16 (Sūrya āvāhana/visarjana mantras)
This verse presents Ravi-invocation as a formal ritual act done through āvāhana-mudrā, implying that correct gesture and mantra-installation are essential for establishing the deity’s presence in worship.
It explicitly calls the mudrā “mantra-rūpiṇī,” indicating the gesture is not merely symbolic but functions as a carrier/embodiment of the mantra within the ritual sequence.
Approach any spiritual practice with method and attentiveness—use consistent posture/gesture, clear intention (āhvāna), and disciplined recitation rather than treating worship as casual or rushed.