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Shloka 41

Indra Slays Namuci—The Limits of Power and the Triumph of Divine Strategy

गन्धर्वमुख्यौ जगतुर्विश्वावसुपरावसू । देवदुन्दुभयो नेदुर्नर्तक्यो ननृतुर्मुदा ॥ ४१ ॥

gandharva-mukhyau jagatur viśvāvasu-parāvasū deva-dundubhayo nedur nartakyo nanṛtur mudā

วิศวาวสุและปราวสุ ผู้นำแห่งคนธรรพ์ทั้งสอง ขับร้องด้วยความปีติ กลองทิพย์ของเหล่าเทวดากึกก้อง และเหล่าอัปสราก็ร่ายรำด้วยความยินดี

गन्धर्व-मुख्यौthe two chief Gandharvas
गन्धर्व-मुख्यौ:
Karta (कर्ता)
TypeNoun
Rootgandharva (प्रातिपदिक) + mukhya (प्रातिपदिक)
FormTatpuruṣa compound ‘chief among Gandharvas’; Masculine, Nominative, Dual (द्विवचन)
जगतुःsang
जगतुः:
Kriya (क्रिया)
TypeVerb
Root√gai (धातु)
FormPerfect (लिट्), 3rd person, Dual, Parasmaipada
विश्वावसु-परावसूViśvāvasu and Parāvasu
विश्वावसु-परावसू:
Karta (कर्ता)
TypeNoun
Rootviśvāvasu (प्रातिपदिक) + parāvasu (प्रातिपदिक)
FormDvandva compound naming two persons; Masculine, Nominative, Dual; in apposition to गन्धर्व-मुख्यौ
देव-दुन्दुभयःthe divine drums
देव-दुन्दुभयः:
Karta (कर्ता)
TypeNoun
Rootdeva (प्रातिपदिक) + dundubhi (प्रातिपदिक)
FormTatpuruṣa compound ‘divine drums’; Masculine, Nominative, Plural
नेदुःresounded
नेदुः:
Kriya (क्रिया)
TypeVerb
Root√nad (धातु)
FormPerfect (लिट्), 3rd person, Plural, Parasmaipada
नर्तक्यःdancing girls
नर्तक्यः:
Karta (कर्ता)
TypeNoun
Rootnartakī (प्रातिपदिक)
FormFeminine, Nominative, Plural
ननृतुःdanced
ननृतुः:
Kriya (क्रिया)
TypeVerb
Root√nṛt (धातु)
FormPerfect (लिट्), 3rd person, Plural, Parasmaipada
मुदाwith joy
मुदा:
Karana (करण)
TypeNoun
Rootmudā (प्रातिपदिक)
FormFeminine, Instrumental (3rd), Singular; adverbial use ‘with joy/joyfully’
V
Viśvāvasu
P
Parāvasu
G
Gandharvas
D
Devas
A
Apsarās (celestial dancers)

FAQs

They are renowned Gandharvas (celestial musicians) who sing in celebration of divine events; in this verse they lead the jubilant singing as the devas rejoice.

Deva-dundubhi refers to celestial drums that resound in the heavens, traditionally marking auspicious moments such as victory, divine appearances, or celebrations among the demigods.

It highlights offering joyful praise—through kīrtana, music, and gratitude—when righteousness is upheld and divine help is felt, cultivating a celebratory mood of bhakti rather than mere personal pride.