HomeVamana PuranaAdh. 27Shloka 38
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Vamana Purana — Shiva's Wedding Procession (Part 2), Shloka 38

Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)

एवं क्रीडां हरः कृत्वा समं च गिरिकन्यया आगच्छद् दक्षिणां वेदिमृषिभिः सेवितां दृढाम्

evaṃ krīḍāṃ haraḥ kṛtvā samaṃ ca girikanyayā āgacchad dakṣiṇāṃ vedimṛṣibhiḥ sevitāṃ dṛḍhām

ఇలా హరుడు, గిరికన్య (పార్వతి)తో కలిసి క్రీడ చేసి, ఋషులు సేవించే, దృఢంగా స్థాపితమైన దక్షిణ వేదిక (వేది) వద్దకు వచ్చాడు।

evaṃthus
evaṃ:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootevaṃ (अव्यय)
FormPrakāra-avyaya (adverb of manner)
krīḍāmplay, sport
krīḍām:
Karma (कर्म)
TypeNoun
Rootkrīḍā (प्रातिपदिक)
FormStrīliṅga, Dvitīyā vibhakti, Ekavacana
haraḥHara (Śiva)
haraḥ:
Karta (कर्ता)
TypeNoun
Roothara (प्रातिपदिक)
FormPuṃliṅga, Prathamā vibhakti, Ekavacana
kṛtvāhaving done
kṛtvā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Root√kṛ (धातु)
FormKtvānta (क्त्वान्त) absolutive; ‘having done’
samamtogether
samam:
Sahakāraka (सहकारक)
TypeIndeclinable
Rootsama (प्रातिपदिक)
FormAvyaya (adverb) meaning ‘together/equally’; used with instrumental
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormSamuccaya-avyaya (conjunction)
giri-kanyayāwith the mountain’s daughter (Pārvatī)
giri-kanyayā:
Sahakāraka (सह/सहकर्ता)
TypeNoun
Rootgiri (प्रातिपदिक) + kanyā (प्रातिपदिक)
FormStrīliṅga, Tṛtīyā vibhakti, Ekavacana; tatpuruṣa: ‘gireḥ kanyā’ (daughter of the mountain)
āgacchatcame
āgacchat:
Kriyā (क्रिया)
TypeVerb
Rootā-√gam (धातु)
FormLaṅ lakāra, Prathama puruṣa, Ekavacana; parasmaipada
dakṣiṇāmsouthern/right-side
dakṣiṇām:
Karma (कर्म)
TypeAdjective
Rootdakṣiṇā (प्रातिपदिक)
FormStrīliṅga, Dvitīyā vibhakti, Ekavacana; viśeṣaṇa of vedim
vedimaltar
vedim:
Karma (कर्म)
TypeNoun
Rootvedi (प्रातिपदिक)
FormStrīliṅga, Dvitīyā vibhakti, Ekavacana
ṛṣibhiḥby sages
ṛṣibhiḥ:
Karaṇa (करण)
TypeNoun
Rootṛṣi (प्रातिपदिक)
FormPuṃliṅga, Tṛtīyā vibhakti, Bahuvacana (plural)
sevitāmserved, attended
sevitām:
Karma (कर्म)
TypeVerb
Root√sev (धातु)
FormKta (क्त) past passive participle; Strīliṅga, Dvitīyā vibhakti, Ekavacana; viśeṣaṇa of vedim
dṛḍhāmfirm, solid
dṛḍhām:
Karma (कर्म)
TypeAdjective
Rootdṛḍha (प्रातिपदिक)
FormStrīliṅga, Dvitīyā vibhakti, Ekavacana; viśeṣaṇa of vedim
Narrative voice not specified in input (often framed as Pulastya → Nārada in Vāmana Purāṇa)
Śiva (Hara)Pārvatī (Girikanyā)
ShaivismRitual space (vedī) and ṛṣi presenceDivine līlā (krīḍā)

{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Divine līlā is not opposed to Vedic order: after playful intimacy, Śiva and Pārvatī move toward a consecrated, sage-attended ritual space, suggesting that dharma and sanctity frame and stabilize even divine play.

This is best classed under ākhyāna / dharma-anuśaṅga within 'Vamśānucarita' or allied narrative sections rather than core cosmogenesis; it is episodic narration tied to sacred/ritual setting and ṛṣi participation.

The 'dakṣiṇā vedī' and the presence of ṛṣis symbolize the anchoring of divine power in yajña-space and tradition; the couple’s approach can signify the integration of śakti (Girikanyā) with īśvara (Hara) in a ritually affirmed cosmos.