Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
आलोकितस्त्रिनेत्रेण मदनो द्युतिमानपि प्रादह्यत तदा ब्रह्मन् पादादारभ्य कक्षवत्
ālokitastrinetreṇa madano dyutimānapi prādahyata tadā brahman pādādārabhya kakṣavat
ఓ బ్రహ్మన్! త్రినేత్రుడి (శివుని) దృష్టి పడగానే, ద్యుతిమంతుడైన మదనుడు కూడా అప్పుడు పాదాల నుండి ప్రారంభమై, ఎండిన కట్టెలా దహించబడ్డాడు.
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Desire (kāma), even when attractive and radiant, is powerless before concentrated ascetic insight; the verse underscores mastery of senses and the primacy of tapas over impulse.
Primarily within Vamśānucarita/Carita-type narrative material (accounts of divine deeds) rather than cosmogenesis; it is an episode illustrating a deity’s act and its consequences.
Śiva’s gaze represents discriminative, consuming knowledge (jñāna-agni) that burns desire at its root—‘from the feet upward’—signifying total eradication rather than partial restraint.