Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
ततः स पतितो लिङ्गो विभिद्य वसुधातलम् रसातलं विवेशाशु ब्रह्मण्डं चोर्ध्वतो ऽभिनत्
tataḥ sa patito liṅgo vibhidya vasudhātalam rasātalaṃ viveśāśu brahmaṇḍaṃ cordhvato 'bhinat
అప్పుడు ఆ పడిపోయిన లింగము వసుధాతలాన్ని చీల్చి వేగంగా రసాతలంలో ప్రవేశించెను; అలాగే పైవైపు బ్రహ్మాండమును కూడా ఛేదించెను.
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The verse presents the liṅga as a cosmic principle rather than merely a local icon: divine reality pervades and transcends all levels of existence (earth, netherworlds, and the brahmāṇḍa). Ethically, it implies humility—finite beings cannot contain or fully measure the Infinite.
Primarily aligns with Sarga/Pratisarga-style cosmological description (structure of worlds and cosmic disturbance), rather than Vamśānucarita. It is a cosmographic-cosmic event motif used to situate later narrative action.
The liṅga here functions like an axis mundi: it links the underworld (Rasātala) and the upper cosmic enclosure (brahmāṇḍa). Such imagery supports Purāṇic non-dual sectarian rhetoric: Śiva’s liṅga is not merely sectarian but a universal ‘mark’ of the Absolute.