HomeVamana PuranaAdh. 58Shloka 19
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Shloka 19

Gajendra's DeliveranceGajendra’s Deliverance and the Protective Power of Remembrance (Japa)

तस्मिन् सरसि दुष्टात्मा विरूपो ऽन्तर्जलेशयः आसीद् ग्राहो गजेन्द्राणां रिपुराकेकरेक्षमः

tasmin sarasi duṣṭātmā virūpo 'ntarjaleśayaḥ āsīd grāho gajendrāṇāṃ ripurākekarekṣamaḥ

{"scene_description": "A restrained forest encounter: a brāhmaṇa, hands folded, looks up in humble inquiry toward a looming rākṣasa who has seized him; tension without violence yet.", "primary_figures": ["Brāhmaṇa (dvija)", "Rākṣasa (niśācara)"], "setting": "Forest edge near a path to a hermitage; dusk light suggesting danger and moral testing.", "color_palette": ["earth brown", "saffron", "deep green", "dusky violet", "ash gray"], "tanjore_prompt": "Tanjore style, gold-leaf accents, a calm brāhmaṇa with añjali-mudrā facing a fierce rākṣasa, ornate borders, devotional realism, warm lamp-lit tones, subtle halo on the brāhmaṇa as dharma-personified.", "pahari_prompt": "Pahari miniature, soft pastels, slender brāhmaṇa in white with saffron shawl pleading, rākṣasa towering but paused, forest with delicate leaves, twilight gradient sky, fine linework and gentle emotion.", "kerala_mural_prompt": "Kerala mural, bold outlines, flat natural pigments, expressive eyes, brāhmaṇa in serene posture confronting a dark-toned rākṣasa, stylized forest motifs, temple-mural symmetry.", "pattachitra_prompt": "Pattachitra scroll style, strong black outlines, patterned textiles, narrative panel of brāhmaṇa asking for instruction while held by rākṣasa, decorative floral borders, earthy natural dyes."}

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Narrator voice within the Purāṇic dialogue (exact interlocutors not provided in input)
Moral contrast in sacred space (tirtha vs. lurking danger)Mythic prelude to divine rescuePredation as a narrative catalyst

{ "primaryRasa": "bhayanaka", "secondaryRasa": "raudra", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Purāṇic tirtha narratives often include a संकट (crisis) that triggers divine intervention or reveals the tirtha’s salvific power; the crocodile functions as the narrative instrument that brings the elephant-lord to a turning point.

Primarily it denotes a crocodile in such contexts, but etymologically it also means ‘seizer/grabber,’ fitting the motif of sudden capture that defines the Gajendra episode.

It portrays the crocodile as strategic and patient, heightening the inevitability of conflict when the elephant enters the water—an important setup for the next verses.