ततो बहुविधैः स्तोत्रैर्वेदागमरसोत्कटैः । तुष्टाव परमेशानं सांबिकं ससुतं मुनिः
tato bahuvidhaiḥ stotrairvedāgamarasotkaṭaiḥ | tuṣṭāva parameśānaṃ sāṃbikaṃ sasutaṃ muniḥ
అనంతరం ముని వేదాగమ రసంతో పరిపుష్టమైన అనేక విధాల స్తోత్రాలతో పరమేశానుడైన భగవాన్ శివుని—అంబికా మరియు వారి కుమారునితో సహా—స్తుతించాడు।
Suta Goswami (narrating the account to the sages of Naimisharanya)
Tattva Level: pati
Shiva Form: Umāpati
Sthala Purana: Not a specific jyotirliṅga episode; the verse foregrounds Veda–Āgama ‘rasa’ as the authoritative praise-medium for Śiva with Śakti and their son, echoing temple liturgy traditions.
Significance: Affirms the Siddhānta synthesis: Veda (nigama) and Āgama (āgama) converge in stotra as a means to please the Lord and invite grace.
Type: stotra
Shakti Form: Pārvatī
Role: nurturing
Offering: pushpa
It highlights that true praise of Śiva is most potent when it is grounded in śāstra—drawing from both Vedic revelation and Āgamic practice—aimed at the Supreme Lord (Pati) who grants grace (anugraha) to the bound soul (paśu).
By praising Parameśāna “with Ambikā and their son,” the verse points to Saguna worship—Śiva approached with divine attributes and family-form—commonly expressed in Linga worship through stotras, nāma-japa, and pūjā aligned with Veda-Āgama tradition.
Stotra-pāṭha and mantra-japa are implied—reciting hymns and sacred names with scriptural fidelity; a practical takeaway is daily Om Namaḥ Śivāya japa alongside a Śiva-stotra recitation in a Vedic-Āgamic spirit.