Paramātma-Svarūpa-Nirṇaya: Strī–Puṃ–Napuṃsaka-Vicāra
Inquiry into the Supreme Self and Gendered Forms
वाच्यवाचकसम्बन्धान्मिथुनत्वमुपेयुषि । कलावर्णस्वरूपेऽस्मिन्पञ्चके भूतपञ्चकम्
vācyavācakasambandhānmithunatvamupeyuṣi | kalāvarṇasvarūpe'sminpañcake bhūtapañcakam
వాచ్య–వాచక సంబంధం వల్ల యుగ్మ ఏకత్వం ఏర్పడుతుంది. కళా, వర్ణ, స్వరూప స్వభావమయమైన ఈ పంచకంలో భూతపంచకమూ పంచరూపంగా నిక్షిప్తమై ఉంటుంది।
Suta Goswami (narrating the Kailāsa-saṃhitā teaching to the sages at Naimiṣāraṇya)
Tattva Level: pasha
Shiva Form: Sadāśiva
It teaches that manifested reality is structured through the inseparable pairing of sound/word and meaning, and that the same fivefold principles also carry the five elements—pointing to Shiva as the underlying consciousness that orders both language (mantra) and matter (bhūtas).
In Shaiva practice, the Liṅga is approached through mantra and ritual forms: this verse frames why mantra (varṇa) and form (svarūpa) are not separate from the elemental cosmos, making Saguna worship a valid doorway to realizing Shiva as Pati beyond names and forms.
Mantra-japa with precise attention to varṇa (sound) and artha (meaning)—especially the Panchākṣarī “Om Namaḥ Śivāya”—paired with contemplative awareness that the five elements in the body and world are pervaded by Shiva.