Shloka 27

मम दयिततरा हृता वनान्ताद्रजनिचरेण विमथ्य येन सा।कथय मम रिपुं तमद्य वैप्लवगपते यमसादनं नयामि4.6.27।।

mama dayitatarā hṛtā vanāntād rajanicareṇa vimathya yena sā | kathaya mama ripuṃ tam adya vai plavagapate yamasādanaṃ nayāmi || 4.6.27 ||

హే వానరాధిపతీ! అడవిలోని అంతర్భాగం నుండి నా అత్యంత ప్రియమైనదానిని అపహరించి ఆమెను బాధించిన ఆ నిశాచర శత్రువు ఎవడో చెప్పు; నేడు నేనే అతనిని యమసదనానికి పంపుతాను।

ममmy
मम:
सम्बन्ध (Possessor/Genitive relation)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी-विभक्ति (Genitive), एकवचन (Singular), सर्वनाम (Pronoun)
दयिततराmost beloved (woman)
दयिततरा:
कर्तृ/विषय (Subject complement to 'she')
TypeAdjective
Rootदयित (प्रातिपदिक) + तरप् (तुलनात्मक-प्रत्यय)
Formस्त्रीलिङ्ग (Feminine), प्रथमा-विभक्ति (Nominative), एकवचन (Singular), तरप्-प्रत्ययान्त (comparative/superlative sense: 'more/most beloved')
हृताstolen/abducted
हृता:
कर्म (Patient; predicate participle describing 'she')
TypeVerb
Rootहृ (धातु) → हृत (क्त-प्रत्यय, भूतकर्मणि कृदन्त)
Formक्त-प्रत्ययान्त भूतकर्मणि कृदन्त (past passive participle), स्त्रीलिङ्ग, प्रथमा, एकवचन; कर्मणि-प्रयोगार्थः (passive sense: 'has been taken')
वनान्तात्from the forest’s interior
वनान्तात्:
अपादान (Source/Ablative)
TypeNoun
Rootवनान्त (प्रातिपदिक: वन + अन्त)
Formपुंलिङ्ग (Masculine), पञ्चमी-विभक्ति (Ablative), एकवचन (Singular); समासः: वनस्य अन्तः इति षष्ठी-तत्पुरुष (edge/interior of the forest)
रजनिचरेणby the night-ranger (rakshasa)
रजनिचरेण:
करण (Agent/Instrument in passive; 'by')
TypeNoun
Rootरजनिचर (प्रातिपदिक: रजनि + चर)
Formपुंलिङ्ग (Masculine), तृतीया-विभक्ति (Instrumental), एकवचन (Singular); समासः: रजन्यां चरः इति सप्तमी-तत्पुरुष (night-ranger)
विमथ्यhaving distressed/assaulted
विमथ्य:
क्रियाविशेषण (Adverbial modifier of action)
TypeIndeclinable
Rootवि + मथ् (धातु) → विमथ्य (ल्यप्/क्त्वान्त अव्यय)
Formक्त्वान्त/ल्यप्-प्रत्ययान्त अव्यय (gerund), क्रियाविशेषण (adverbial), पूर्वक्रिया (prior action)
येनby whom
येन:
करण (Instrument/Agent marker: 'by whom')
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग (Masculine/Neuter usage), तृतीया-विभक्ति (Instrumental), एकवचन (Singular), सम्बन्धक-सर्वनाम (relative pronoun)
साshe
सा:
कर्तृ (Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), प्रथमा-विभक्ति (Nominative), एकवचन (Singular), सर्वनाम (pronoun)
कथयtell (me)
कथय:
क्रिया (Main verb: command)
TypeVerb
Rootकथ् (धातु) → कथय (णिजन्त)
Formलोट्-लकार (Imperative), मध्यमपुरुष (2nd person), एकवचन (Singular), परस्मैपद; णिजन्त (causative: 'make known/tell')
ममmy
मम:
सम्बन्ध (Possessor/Genitive relation)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी-विभक्ति (Genitive), एकवचन (Singular), सर्वनाम (Pronoun)
रिपुम्enemy
रिपुम्:
कर्म (Object of 'tell' / also target of 'lead')
TypeNoun
Rootरिपु (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative), एकवचन (Singular)
तम्him
तम्:
कर्म (Object; apposition to 'ripuṃ')
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative), एकवचन (Singular), सर्वनाम (pronoun)
अद्यtoday/now
अद्य:
क्रियाविशेषण (Time adjunct)
TypeIndeclinable
Rootअद्य (अव्यय-प्रातिपदिक)
Formकालवाचक-अव्यय (temporal adverb)
वैप्लवगपतेO lord of monkeys
वैप्लवगपते:
सम्बोधन (Address)
TypeNoun
Rootप्लवग (प्रातिपदिक) + पति (प्रातिपदिक); वै- (सम्बोधन/विशेषण-पूर्वपद as intensifier/epithet)
Formपुंलिङ्ग (Masculine), सम्बोधन-विभक्ति (Vocative), एकवचन (Singular); समासः: प्लवगानां पतिः इति षष्ठी-तत्पुरुष (lord of monkeys); 'वै' निपातसदृश-उपपद/उद्गारार्थक-पूर्वपद (epithetic)
यमसादनम्to Yama’s abode (death’s dwelling)
यमसादनम्:
कर्म (Goal/object complement with 'nayāmi')
TypeNoun
Rootयम (प्रातिपदिक) + सादन (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), द्वितीया-विभक्ति (Accusative), एकवचन (Singular); समासः: यमस्य सादनम् इति षष्ठी-तत्पुरुष (abode of Yama)
नयामिI lead/carry (him)
नयामि:
क्रिया (Main verb: 'I will lead/carry')
TypeVerb
Rootनी (धातु) → नयामि
Formलट्-लकार (Present), उत्तमपुरुष (1st person), एकवचन (Singular), परस्मैपद

'O lord of monkeys tell me the whereabouts of that night-ranger who has carried off my darling from the heart of the forest and has harassed her. I will send him now to the abode of Death.ইত্যার্ষে শ্রীমদ্রামাযণে বাল্মীকীয আদিকাব্যে কিষ্কিন্ধাকাণ্ডে ষষ্ঠস্সর্গঃThus ends the sixth sarga of Kishkindakanda of the Holy Ramayana, the first epic, composed by sage Valmiki.

R
Rama
S
Sugriva
S
Sita (implied by dayitatarā)
R
Rajanicara (Rākṣasa, night‑ranger)
Y
Yama (Lord of Death)
F
Forest (vanānta)

FAQs

Rama frames his response as righteous justice: a wrongdoer who abducts and harms an innocent must be confronted and punished. Dharma here is the protection of the vulnerable and the upholding of moral order against हिंसा and अधर्म.

After meeting Sugriva in Kishkindha, Rama presses for actionable information about the rākṣasa who abducted Sita, declaring his intent to destroy the offender once identified.

Rama’s steadfast resolve (dṛḍha-niścaya) and commitment to justice—his grief is present, yet it is channeled into purposeful, dharmic action rather than despair.