भारुंडा नाम शकुनास्तीक्ष्णतुंडा महाबलाः । तान्निर्हरंतीहमृतान्दरीषु प्रक्षिपंति च
bhāruṃḍā nāma śakunāstīkṣṇatuṃḍā mahābalāḥ | tānnirharaṃtīhamṛtāndarīṣu prakṣipaṃti ca
ఇక్కడ ‘భారుణ్డ’ అనే పక్షులు ఉన్నాయి—తీక్ష్ణచంచువులు, మహాబలవంతులు. వారు ఇక్కడి మృతదేహాలను ఎత్తుకుపోయి పర్వతగుహలలో పడవేస్తారు.
Unknown (context not provided; Svargakhaṇḍa commonly framed as Pulastya instructing Bhīṣma)
Concept: Even in exalted cosmographies, death’s logistics exist; the body is transient and subject to nature’s forces.
Application: Remember mortality to prioritize sādhana, charity, and restraint; reduce attachment to the body and possessions.
Primary Rasa: bhayanaka
Secondary Rasa: raudra
Type: mountain
Visual Art Cues: {"scene_description":"Gigantic Bhāruṇḍa birds with iron-dark beaks sweep across a wind-torn mountain range, clutching lifeless bodies as they fly toward yawning caves. Below, jagged cliffs and shadowed caverns create a stark, otherworldly landscape where nature’s fierce order reigns.","primary_figures":["Bhāruṇḍa birds","mountain spirits (optional, subtle)"],"setting":"high, craggy mountains with deep caves and swirling clouds","lighting_mood":"storm-lit chiaroscuro","color_palette":["slate gray","ink black","cold silver","blood red accents","ashen white"],"tanjore_prompt":"Tanjore painting style: dramatic mountain cliffs with stylized caves, colossal Bhāruṇḍa birds in mid-flight holding bodies, gold leaf used sparingly as lightning-like highlights, deep maroons and blacks for intensity, ornate border framing to contrast the grim subject with sacred art form.","pahari_prompt":"Pahari miniature style: sharp Himalayan ridges and misty valleys, powerful birds rendered with fine brushwork and tense motion, muted cool palette, delicate cloud bands, narrative clarity with restrained gore and symbolic depiction of mortality.","kerala_mural_prompt":"Kerala mural style: bold outlines of massive birds with exaggerated beaks and wings, stylized rocky caves, strong red/black contrasts, rhythmic composition like a temple-wall warning tableau about impermanence.","pichwai_prompt":"Pichwai cloth painting style: symbolic rather than graphic—dark birds circling above a rocky mandala-like mountain, ornate floral borders and lotuses at the edges to imply dharmic framing, deep indigo ground with gold highlights and swirling cloud motifs."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["wind gusts","thunder rumble","echoing cave ambience","distant conch shell"]}
Sandhi Resolution Notes: शकुनास्तीक्ष्णतुंडा = शकुनाः + तीक्ष्णतुण्डाः. तान्निर्हरंतीह = तान् + निर्हरन्ति + इह. अमृतान्दरीषु = मृतान् + दरीषु. प्रक्षिपंति = प्रक्षिपन्ति (अनुस्वार/वर्तनी-भेद).
In this verse, Bhāruṇḍas are described as powerful, sharp-beaked birds associated with carrying away corpses—mythic fauna used to convey the harshness of certain realms or conditions.
It depicts a grim scene: formidable birds remove the dead and throw them into caves, emphasizing fearsome post-mortem or otherworldly imagery within the Svargakhaṇḍa narrative.
Such descriptions are typically read as a warning about the consequences of harmful actions and as motivation toward dharma—encouraging restraint, virtue, and spiritually beneficial conduct.