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Shloka 75

The Slaying of the Kālakeyas and the Greatness of Vināyaka Worship

देवदुंदुभयो नेदुः सर्वदेवैः समीरिताः । वाद्यैश्च विविधैरन्यैर्वायुपूर्णैर्घनस्वनैः

devaduṃdubhayo neduḥ sarvadevaiḥ samīritāḥ | vādyaiśca vividhairanyairvāyupūrṇairghanasvanaiḥ

సర్వ దేవతలచే మ్రోగింపబడిన దేవదుందుభులు నినదించెను. అలాగే వాయువుతో నిండిన, ఘనగంభీర స్వరముల గల ఇతర వివిధ వాద్యములూ మ్రోగెను.

देव-दुन्दुभयोthe divine drums
देव-दुन्दुभयो:
Karta (कर्ता/Subject)
TypeNoun
Rootदेव (प्रातिपदिक) + दुन्दुभि (प्रातिपदिक)
Formपुल्लिङ्ग (Masculine), प्रथमा (1st/Nominative), बहुवचन (Plural); षष्ठी-तत्पुरुष (gods’ kettledrums)
नेदुःresounded
नेदुः:
Kriya (क्रिया/Finite verb)
TypeVerb
Rootनद् (धातु)
Formलिट् (Perfect), प्रथमपुरुष (3rd person), बहुवचन (Plural)
सर्व-देवैःby all the gods
सर्व-देवैः:
Karana (करण/Instrument)
TypeNoun
Rootसर्व (प्रातिपदिक) + देव (प्रातिपदिक)
Formपुल्लिङ्ग (Masculine), तृतीया (3rd/Instrumental), बहुवचन (Plural); कर्मधारय (all the gods)
समीरिताःset in motion/caused (to sound)
समीरिताः:
Karta (कर्ता/Subject qualifier)
TypeVerb
Rootसम् + ईर् (धातु)
Formक्त-प्रत्ययान्त (past passive participle), पुल्लिङ्ग (Masculine), प्रथमा (1st/Nominative), बहुवचन (Plural); ‘set in motion/caused to sound’
वाद्यैःwith instruments
वाद्यैः:
Karana (करण/Instrument)
TypeNoun
Rootवाद्य (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), तृतीया (3rd/Instrumental), बहुवचन (Plural)
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
विविधैःvarious
विविधैः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootविविध (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), तृतीया (3rd/Instrumental), बहुवचन (Plural); विशेषण to वाद्यैः
अन्यैःother
अन्यैः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootअन्य (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), तृतीया (3rd/Instrumental), बहुवचन (Plural); विशेषण to वाद्यैः
वायु-पूर्णैःwind-filled
वायु-पूर्णैः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootवायु (प्रातिपदिक) + पूर्ण (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), तृतीया (3rd/Instrumental), बहुवचन (Plural); तृतीया/षष्ठी-तत्पुरुष sense ‘filled with wind’
घन-स्वनैःdeep-sounding
घन-स्वनैः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootघन (प्रातिपदिक) + स्वन (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), तृतीया (3rd/Instrumental), बहुवचन (Plural); कर्मधारय ‘having dense/deep sound’

Narrator (contextual description within the Adhyaya; no direct dialogue marker in this verse)

Concept: Cosmic events unfold with a ritual-like orchestration; sound (nāda) becomes a sign of divine attention and the seriousness of dharmic struggle.

Application: Use sacred sound to steady the mind amid turmoil—japa, kīrtana, and temple bells can re-center attention toward the preserver and away from panic.

Primary Rasa: adbhuta

Secondary Rasa: vira

Type: celestial_realm

Visual Art Cues: {"scene_description":"In the high vault of the sky, luminous gods strike vast celestial kettledrums that ripple like thunderclouds made of bronze. Below, layered ranks of unseen instruments—horns, cymbals, and wind-filled drums—send rolling waves of sound across the battlefield, as if the air itself were a vibrating temple hall.","primary_figures":["Devas (Indra-like figures, generic)","celestial drummers","gandharvas (optional)","apsarās (optional, distant)"],"setting":"A split-level composition: upper celestial tier with gods and drums; lower battlefield haze with instruments and banners barely visible through dust.","lighting_mood":"divine radiance with thundercloud undertones","color_palette":["celestial gold","cloud violet","bronze brown","pearl white","midnight blue"],"tanjore_prompt":"Tanjore painting style: devas in ornate crowns striking massive dundubhis; heavy gold leaf on halos, drum rims, and jewelry; rich reds/greens in garments; embossed textures for clouds; symmetrical divine court arrangement above a stylized battlefield band below.","pahari_prompt":"Pahari miniature style: airy celestial terrace with delicate devas and finely detailed drums; cool blues and violets; subtle sound-waves suggested by curved lines; refined facial features; lyrical clouds and distant hills; minimal but expressive battlefield below.","kerala_mural_prompt":"Kerala mural style: bold outlined devas with large eyes, striking drums in rhythmic poses; flat pigments with strong yellow-red-green; stylized cloud bands; temple-wall feel with decorative drum patterns and repeated motifs of sound.","pichwai_prompt":"Pichwai cloth painting style: a Vaishnava-allegorical ‘sound mandala’—celestial drums arranged like lotus petals; intricate floral borders; deep blue ground with gold highlights; small gandharvas playing instruments; sound depicted as curling vine-like motifs."}

Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["celestial drums","temple bells","conch shell","cymbals","wind through banners"]}

Sandhi Resolution Notes: देवदुंदुभयो = देव-दुन्दुभयो. वाद्यैश्च = वाद्यैः + च. विविधैरन्यैर्वायुपूर्णैर्घनस्वनैः = विविधैः + अन्यैः + वायु-पूर्णैः + घन-स्वनैः (विसर्ग/रेफ-सन्धि लेखन).

D
Devas (the gods)

FAQs

A devaduṃdubhi is a divine kettledrum whose booming sound is used in Purāṇic literature to mark auspicious, celebratory, or climactic moments involving the gods.

The imagery of deep, wind-driven sound conveys a cosmic-scale celebration—an auspicious auditory sign that the devas are actively participating in and affirming the moment being narrated.

It highlights reverence through collective participation: sacred sound and ordered celebration symbolize harmony, gratitude, and the honoring of divine events rather than mere spectacle.