Shloka 27
Narrative of the Śūdra’s Renunciation of Greed
with the Tulādhāra Greatness Prelude
सदापि लाभविरहो न परस्वं गृहीतवान् । तस्य जिज्ञासयैवाहं गृहीत्वा वस्त्रयुग्मकम्
sadāpi lābhaviraho na parasvaṃ gṛhītavān | tasya jijñāsayaivāhaṃ gṛhītvā vastrayugmakam
ఎప్పుడూ లాభం లేకున్నా అతడు పరధనాన్ని ఎప్పటికీ తీసుకోలేదు. అతనిని పరీక్షించి తెలుసుకోవాలని నేను స్వయంగా ఒక జత వస్త్రాలను తీసుకున్నాను.
Unspecified (a first-person narrator within the Adhyaya’s dialogue context)
Concept: Even in constant lack, one must not take another’s property; virtue is tested by scarcity, not comfort.
Application: When under stress, keep strict boundaries: do not ‘borrow’ without consent, avoid unethical shortcuts, and treat integrity as worship; create accountability in finances and workplace conduct.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A hidden divine tester, disguised as a traveler, quietly lifts a pair of worn garments from a poor ascetic’s hut. The ascetic notices the loss yet remains composed, his palms joined in restraint, while the tester watches for any flicker of anger or grasping.","primary_figures":["austere devotee/ascetic","divine tester (disguised sage/deva)"],"setting":"a small mud hut with a reed mat, a hanging cloth line, a simple begging bowl; sparse village outskirts","lighting_mood":"forest dappled","color_palette":["dusty umber","leaf green","faded white","deep brown","soft amber"],"tanjore_prompt":"Tanjore painting style: two-figure moral drama—ascetic in calm posture, disguised tester holding the cloth; gold leaf used for subtle divine hints (aura, ornaments barely visible); rich red-green borders, stylized hut interior, traditional symmetry with narrative panels.","pahari_prompt":"Pahari miniature style: intimate hut scene with delicate textiles and gentle expressions; the tester’s face slightly enigmatic; cool shadows and refined linework; minimalism emphasizing ethical tension.","kerala_mural_prompt":"Kerala mural style: bold outlines, expressive eyes; the tester’s divinity suggested by a faint halo; earthy reds and yellows with green accents; mural-like framing with ornamental vines.","pichwai_prompt":"Pichwai cloth painting style: central figures framed by floral borders; garments depicted as symbolic ‘objects of attachment’ turning into lotus motifs at the edges; deep blue background with gold detailing, devotional narrative composition."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low temple drum (mridang-like)","rustle of cloth","brief silence","distant conch"]}
Sandhi Resolution Notes: जिज्ञासया + एव + अहम् → जिज्ञासयैवाहं
FAQs
It highlights the dharmic vow of non-stealing: even in poverty or lack of gain, one should not take another’s property.
The act is described as a deliberate test—done out of curiosity or a desire to ascertain the person’s character and commitment to righteousness.
In this standalone verse, the focus is primarily ethical (dharma) rather than tīrtha geography or explicit bhakti theology; its lesson supports the moral foundation that purāṇic narratives often assume.