Shloka 50
Yoga-Sleep, Cosmic Dissolution, and the Lotus of Creation
with Mārkaṇḍeya’s Vision
ततः पीत्वार्णवान्सर्वान्नदीकूपांश्च सर्वतः । पर्वतानां च सलिलं सर्वमादाय योगवित्
tataḥ pītvārṇavānsarvānnadīkūpāṃśca sarvataḥ | parvatānāṃ ca salilaṃ sarvamādāya yogavit
అనంతరం ఆ యోగవిత్తు సమస్త సముద్రములను త్రాగెను; ఎక్కడెక్కడ నదులు, బావుల నీటినీ త్రాగెను; పర్వతములలోనున్న సమస్త జలమును కూడ హరించెను।
Narrator (contextual speaker not specified in the provided excerpt)
Concept: The yogavit Lord withdraws all waters everywhere—showing total sovereignty over the sustaining principle of life and ritual purity.
Application: Honor sacred means (tīrtha, vrata, purity) but remember their source: cultivate devotion to the Lord who empowers them; practice non-attachment to externals.
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Type: celestial_realm
Visual Art Cues: {"scene_description":"A silent, uncanny world where riverbeds crack and wells stand empty; even mountain springs vanish as if inhaled by an unseen cosmic yogin. Above, a subtle divine presence draws all waters into itself, leaving a vast stillness that feels like the pause between breaths of creation.","primary_figures":["Nārāyaṇa (as Yogavit, subtle cosmic presence)","personified rivers and oceans (fading)","mountain spirits (spring guardians)"],"setting":"Panoramic earthscape: emptied oceans, dry river channels, abandoned wells, mountains with vanished waterfalls","lighting_mood":"ashen twilight","color_palette":["dusty ochre","slate gray","pale cyan (fading water)","burnt umber","dim gold"],"tanjore_prompt":"Tanjore painting style: wide landscape with stylized dry riverbeds and empty wells, mountains with halted cascades; a central subtle Nārāyaṇa aura rendered in gold leaf drawing blue water-motifs inward; ornate borders, rich pigments contrasting with the drained world.","pahari_prompt":"Pahari miniature style: delicate depiction of receding waters—thin blue lines evaporating from rivers, empty stepwells, quiet mountains; cool grays and muted browns, a faint golden presence in the sky suggesting the yogavit Lord’s withdrawal.","kerala_mural_prompt":"Kerala mural style: rhythmic patterns of rivers turning into dry bands, bold outlines of mountains and wells; a central icon-like aura of Viṣṇu absorbing water motifs; dominant earthy reds/yellows with subdued blues to show disappearance.","pichwai_prompt":"Pichwai cloth painting style: symmetrical composition—central lotus medallion of Viṣṇu with swirling water motifs being drawn inward; surrounding border panels show stylized rivers, wells, and mountains as repeating patterns fading from blue to beige; deep blue and gold accents with intricate floral borders."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Desh","pace":"slow-meditative","voice_tone":"serene","sound_elements":["near-silence","faint wind","distant bell","soft drone"]}
Sandhi Resolution Notes: pītvā arṇavān sarvān → pītvārṇavānsarvān; nadī-kūpān ca → nadīkūpāṃśca (n→ṃ before c); sarvam ādāya → sarvamādāya.
FAQs
A yogic adept (yogavit) is described as supernaturally drinking up or removing all waters—oceans, rivers, wells, and mountain waters—indicating mastery over the element of water.
The verse only says “yogavit” (knower/master of yoga) and does not name the figure in the provided line; identification depends on the surrounding narrative of Adhyaya 39.
It highlights yogic siddhi (extraordinary power) and the Purāṇic theme that advanced spiritual mastery can command the elements, often to advance a cosmic or narrative purpose.