Shloka 49
तवैष महिमा येन व्याप्तमेतच्चराचरं । ज्ञानस्वरूपमखिलं जगदेतदबुद्धयः
tavaiṣa mahimā yena vyāptametaccarācaraṃ | jñānasvarūpamakhilaṃ jagadetadabuddhayaḥ
ఇది నీ మహిమయే; దానివలన ఈ సమస్త చరాచర జగత్తు వ్యాపించబడింది. అయినా అవివేకులు ఈ జగత్తంతా స్వరూపతః జ్ఞాన-చైతన్యమేనని గ్రహించరు.
Unspecified (narrative context not provided in the input)
Concept: The entire moving and unmoving cosmos is pervaded by the Lord; the world’s essence is consciousness, though the undiscerning fail to recognize it.
Application: Practice seeing the sacred in all beings and situations; reduce objectifying habits by adding daily contemplation (smaraṇa) that ‘the Lord pervades this.’
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A vast cosmic panorama where galaxies, mountains, forests, and oceans appear as translucent layers within a single divine aura. At the center, a serene Vishnu-presence is suggested not as a single figure alone but as a radiance permeating every atom, while a few shadowed figures look outward, unable to perceive the inner light.","primary_figures":["Vishnu (as all-pervading presence)","seers/supplicants","deluded beings (symbolic)"],"setting":"Cosmic expanse blending microcosm and macrocosm—lotus motifs, stars, and the earth’s sphere floating within a halo.","lighting_mood":"divine radiance","color_palette":["sapphire blue","lotus pink","gold leaf","pearl white","deep indigo"],"tanjore_prompt":"Tanjore painting style: Vishnu as a central luminous presence with a large prabhāmaṇḍala, the universe (planets, oceans, mountains) arranged in concentric bands within His aura; gold leaf heavily used for the halo and cosmic lotuses, rich crimson and emerald borders, gem-studded ornaments on symbolic Vishnu icon, tiny sages at the bottom in añjali mudrā, traditional South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: a lyrical cosmic landscape where the earth, rivers, and forests are painted with delicate brushwork; Vishnu’s presence shown as a soft blue radiance permeating the scene, refined faces of a few rishis contemplating inwardly while others gaze outward in confusion; cool palette with Himalayan-like cloud bands and subtle gold highlights.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; Vishnu’s all-pervading aura rendered as layered circular mandalas around a calm central form, with stylized mountains and oceans filling the frame; characteristic large eyes for sages, red-yellow-green dominance with controlled blue for Vishnu.","pichwai_prompt":"Pichwai cloth painting style: a Vishnu-centered cosmic lotus mandala where each petal contains miniature scenes of moving and unmoving beings; intricate floral borders, deep blue ground with gold detailing, peacocks and lotuses as symbols of awakened perception, small devotees at the bottom performing darśana."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft tanpura drone","temple bells (distant)","silence between phrases","conch shell (very soft, opening)"]}
Sandhi Resolution Notes: tavaiṣa = tava + eṣaḥ; vyāptametat = vyāptam + etat; etaccarācaraṃ resolved as etat + ca + (a)caram + caram (dvandva sense ‘mobile and immobile’); jñānasvarūpamakhilam = jñāna-svarūpam + akhilam; jagadetat = jagat + etat.
FAQs
It teaches that reality is pervaded by consciousness/knowledge, and that the universe is not separate from the divine principle that illuminates and sustains it—though the unwise fail to perceive this.
It presents the divine as all-pervading—filling the entire cosmos, both the moving (living beings) and the unmoving (mountains, earth, objects).
Cultivate discernment (buddhi) through study, reflection, and devotion so that one sees the sacred pervading all beings; this supports humility, non-harm, and reverence toward the world.