Shloka 32
Instruction on All Dharma
in the context of Rāma’s Aśvamedha
नारदोसितनामा च पर्वतः कपिलो मुनिः । जातूकर्ण्योंऽगिरा व्यास आर्ष्टिषेणोऽत्रिरासुरिः
nāradositanāmā ca parvataḥ kapilo muniḥ | jātūkarṇyoṃ'girā vyāsa ārṣṭiṣeṇo'trirāsuriḥ
అక్కడ నారదుడు, ఓసితనామా, పర్వతుడు, ముని కపిలుడు, జాతూకర్ణ్యుడు, అంగిరా, వ్యాసుడు, ఆర్ష్టిషేణుడు మరియు ఆసురి వంశీయుడైన అత్రి ఉన్నారు।
Unspecified in the provided excerpt (likely the narrator within the chapter’s ongoing dialogue).
Concept: Dharma is authenticated and transmitted through realized seers; their presence sanctifies rites and kingship.
Application: Seek guidance from trustworthy lineages and texts; honor learned and realized teachers as carriers of dharma.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A dignified tableau of renowned sages seated in a ceremonial circle, each subtly distinguished—Nārada with vīṇā, Kapila with ascetic fire, Vyāsa with palm-leaf manuscripts—forming a living constellation of dharma. The composition emphasizes lineage and spiritual gravitas, as if the very air is weighted with mantra and memory.","primary_figures":["Nārada","Parvata","Kapila","Jātūkarṇya","Aṅgirā","Vyāsa","Ārṣṭiṣeṇa","Atri (Āsuri lineage)","Ositanāmā"],"setting":"ritual assembly hall or forest hermitage clearing with kusa seats, manuscripts, and sacrificial implements","lighting_mood":"temple lamp-lit","color_palette":["earth brown","sage green","lamp-flame amber","ash white","deep maroon"],"tanjore_prompt":"Tanjore painting style: a formal rishi-sabhā with each sage iconographically marked (Nārada with vīṇā, Vyāsa with grantha); gold leaf halos and ornate borders; rich reds/greens; stylized altar vessels with gem-like highlights; symmetrical seating around a central yajña-kuṇḍa.","pahari_prompt":"Pahari miniature style: intimate forest assembly with delicate facial expressions and individualized attributes; cool greens and soft browns; a gentle stream hinted in the background; fine textile patterns on shawls; lyrical spacing and refined brushwork.","kerala_mural_prompt":"Kerala mural style: bold outlined sages in a semicircle, large expressive eyes, flat yet vibrant natural pigments; central sacred fire rendered in reds/yellows; stylized foliage and architectural mandapa elements; rhythmic ornamentation on borders.","pichwai_prompt":"Pichwai cloth painting style: rishi circle framed by lotus and creeper borders; central mandala-like yajña motif; deep indigo background with gold linework; peacocks and floral fillers; devotional symmetry emphasizing sacred assembly."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low Vedic chanting","rustle of palm leaves","crackling fire","soft drone (tanpura)","forest birds"]}
Sandhi Resolution Notes: नारदोसितनामा = नारद + उसितनामा; जातूकर्ण्योंऽगिरा = जातूकर्ण्यः + अङ्गिराः; आर्ष्टिषेणोऽत्रिरासुरिः = आर्ष्टिषेणः + अत्रिः + आसुरिः (समुच्चय-प्रथमा-एकवचन नामावलिः)
FAQs
It functions as a catalog-style enumeration of revered sages, preserving a traditional memory of ṛṣi lineages and authoritative transmitters of sacred knowledge.
Not directly; it is primarily identificatory. Its broader implication is reverence for the ṛṣi tradition as custodians of dharma and scripture.
The excerpt alone does not specify. In the Padma Purāṇa, such lists are typically spoken by the current narrator within the chapter’s larger dialogue frame (e.g., a sage recounting tradition to a listener).