Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
नमस्ते स्वर्गसंस्थायै अभिन्नायै नमोनमः । शान्तायै ते प्रतिष्ठायै वरदायै नमोनमः ॥ ७९ ॥
namaste svargasaṃsthāyai abhinnāyai namonamaḥ | śāntāyai te pratiṣṭhāyai varadāyai namonamaḥ || 79 ||
స్వర్గస్థితిలో ఉన్న దేవీ, నీకు నమస్కారం; అభిన్నా, నీకు పునఃపునః ప్రణామం. శాంతప్రతిష్ఠా, నీకు నమస్తే; వరదాయినీ, నీకు మళ్లీ మళ్లీ నమస్కారం.
Narada (hymnic praise within the Uttara-Bhaga narrative)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It is a compact stotra-verse emphasizing surrender (namo namaḥ), praising the deity/power as heavenly, peaceful, the sustaining foundation (pratiṣṭhā), and the compassionate giver of boons—key bhakti markers in the Uttara-Bhāga’s sacred-place (tīrtha) atmosphere.
Bhakti is expressed through repeated salutations and naming divine attributes: transcendence (svargasaṃsthā), unity (abhinnā), serenity (śāntā), support (pratiṣṭhā), and grace (varadā). Remembering and addressing these qualities is itself a devotional practice.
No specific Vedāṅga technique is taught directly; the verse is primarily stotra-bhakti. Practically, it models mantra-like repetition (namo namaḥ) and precise epithets—useful for correct recitation (śikṣā) and devotional liturgy.