Previous Verse
Next Verse

Shloka 20

Nāmānirukta of Nārāyaṇa (Keśava–Viṣṇu–Vāsudeva) and the Rudra–Nārāyaṇa Unity Theme

नारद उवाच अनाम्नायमला वेदा ब्राह्मणस्याव्रतं मलम्‌ । मलं॑ पृथिव्या वाहीका: स्त्रीणां कौतूहलं मलम्‌

nārada uvāca | anāmnāyamala vedā brāhmaṇasyāvrataṃ malam | malaṃ pṛthivyā vāhīkāḥ strīṇāṃ kautūhalaṃ malam |

నారదుడు అన్నాడు—వేదాలకు మలము (దోషము) అనగా అధ్యయనం చేయకపోవడం, పఠనాన్ని నిర్లక్ష్యం చేయడం; బ్రాహ్మణునికి మలము అనగా వ్రతాచరణ లేకపోవడం. భూమికి మలము వాహీకులు; స్త్రీలకు మలము చంచల కౌతూహలం.

नारदःNarada
नारदः:
Karta
TypeNoun
Rootनारद
FormMasculine, Nominative, Singular
उवाचsaid
उवाच:
Karta
TypeVerb
Rootवच्
FormPerfect, Third, Singular, Parasmaipada
अनाम्नायमलाःtainted by non-recitation (non-study)
अनाम्नायमलाः:
Karta
TypeAdjective
Rootअनाम्नायमल
FormMasculine, Nominative, Plural
वेदाःthe Vedas
वेदाः:
Karta
TypeNoun
Rootवेद
FormMasculine, Nominative, Plural
ब्राह्मणस्यof a Brahmin
ब्राह्मणस्य:
Adhikarana
TypeNoun
Rootब्राह्मण
FormMasculine, Genitive, Singular
अव्रतम्lack of vows/discipline
अव्रतम्:
Karta
TypeNoun
Rootअव्रत
FormNeuter, Nominative, Singular
मलम्impurity; stain
मलम्:
Karta
TypeNoun
Rootमल
FormNeuter, Nominative, Singular
मलम्impurity; stain
मलम्:
Karta
TypeNoun
Rootमल
FormNeuter, Nominative, Singular
पृथिव्याःof the earth
पृथिव्याः:
Adhikarana
TypeNoun
Rootपृथिवी
FormFeminine, Genitive, Singular
वाहीकाःthe Vahikas (a people/tribe)
वाहीकाः:
Karta
TypeNoun
Rootवाहीक
FormMasculine, Nominative, Plural
स्त्रीणाम्of women
स्त्रीणाम्:
Adhikarana
TypeNoun
Rootस्त्री
FormFeminine, Genitive, Plural
कौतूहलम्curiosity; fickle inquisitiveness
कौतूहलम्:
Karta
TypeNoun
Rootकौतूहल
FormNeuter, Nominative, Singular
मलम्impurity; stain
मलम्:
Karta
TypeNoun
Rootमल
FormNeuter, Nominative, Singular

नारद उवाच

N
Nārada
V
Veda
B
Brāhmaṇa
P
Pṛthivī (Earth)
V
Vāhīkas
S
Striyaḥ (women)

Educational Q&A

The verse frames ‘mala’ (blemish) as neglect of one’s proper discipline: sacred knowledge decays without regular recitation; a Brahmin’s role is compromised without vows and regulated conduct; and it warns against traits seen as socially disruptive (here, stereotyped as curiosity in women), emphasizing restraint and steadiness as ethical ideals.

In the Shanti Parva’s didactic setting, Narada delivers aphoristic moral observations. This verse is part of a list-like instruction where he identifies what counts as a ‘stain’ for different domains (scripture, social role, the world), aiming to sharpen the listener’s sense of dharma through concise contrasts.