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Shloka 7

Adhyāya 6: Śibira-dvāra-sthita Bhūta-varṇana and Aśvatthāmā’s Śaraṇāgati to Mahādeva

नैव तस्य वपु: शक्‍्यं प्रवक्तुं वेष एव च । सर्वथा तु तदालक्ष्य स्फुटेयुरपि पर्वता:,उसके शरीर और वेषका वर्णन नहीं किया जा सकता। सर्वथा उसे देख लेनेपर पर्वत भी भयके मारे विदीर्ण हो सकते थे

naiva tasya vapuḥ śakyaṃ pravaktuṃ veṣa eva ca | sarvathā tu tad ālakṣya sphuṭeyur api parvatāḥ ||

అతని శరీరమూ, అతని వేషమూ—వర్ణించడం సాధ్యం కాదు. ఏ విధంగా అయినా అతన్ని చూసిన మాత్రాన పర్వతాలే భయంతో చీలిపోతాయని అనిపించేది.

nanot
na:
TypeIndeclinable
Rootna
evaindeed/just
eva:
TypeIndeclinable
Rooteva
tasyaof him/of that
tasya:
Sambandha
TypePronoun
Roottad
Formmasculine/neuter, genitive, singular
vapuḥbody/form
vapuḥ:
Karma
TypeNoun
Rootvapus
Formneuter, nominative, singular
śakyampossible
śakyam:
TypeAdjective
Rootśakya
Formneuter, nominative, singular
pravaktumto describe/to tell
pravaktum:
TypeVerb
Rootpra√vac
Forminfinitive
veṣaḥdress/guise
veṣaḥ:
Karma
TypeNoun
Rootveṣa
Formmasculine, nominative, singular
evaalso/indeed
eva:
TypeIndeclinable
Rooteva
caand
ca:
TypeIndeclinable
Rootca
sarvathāin every way/altogether
sarvathā:
TypeIndeclinable
Rootsarvathā
tubut/indeed
tu:
TypeIndeclinable
Roottu
tadthat (one/thing)
tad:
Karma
TypePronoun
Roottad
Formneuter, accusative, singular
ālakṣyahaving seen/noticed
ālakṣya:
TypeVerb
Rootā√lakṣ
Formabsolutive (gerund)
sphuṭeyuḥmight split/burst
sphuṭeyuḥ:
TypeVerb
Root√sphuṭ
Formoptative, 3rd, plural, parasmaipada
apieven/also
api:
TypeIndeclinable
Rootapi
parvatāḥmountains
parvatāḥ:
Karta
TypeNoun
Rootparvata
Formmasculine, nominative, plural

संजय उवाच

S
Sañjaya
M
mountains (parvatāḥ)

Educational Q&A

The verse highlights how extreme violence and fear can become indescribable, exceeding normal language and perception. Ethically, it frames the night’s events as a descent into a terror that signals moral disorder—an atmosphere where adharma overwhelms restraint.

Sañjaya reports to the listener that the figure being witnessed appears so dreadful that neither his body nor his disguise can be adequately described; the sight is portrayed as so fearsome that even mountains could split. This heightens the ominous tone of the Sauptika episode.