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Shloka 22

भूरिश्रवा महेष्वासस्तथा प्रायगतो रणे । क्रोशतां भूमिपालानां युयुधानेन पातितः,महाधनुर्थधर भूरिश्रवा तो रणभूमिमें अनशन व्रत लेकर बैठ गये थे। उस अवस्थामें समस्त भूमिपाल चिल्ला-चिल्लाकर रोकते ही रह गये; परंतु सात्यकिने उन्हें मार गिराया

Bhūriśravā maheṣvāsaḥ tathā prāyagato raṇe | Krośatāṃ bhūmipālānāṃ yuyudhānena pātitaḥ ||

మహాధనుర్ధరుడు భూరిశ్రవుడు యుద్ధమధ్యంలో ప్రాయోపవేశ (అనశన) వ్రతం స్వీకరించి కూర్చున్నాడు. రాజులు అందరూ కేకలు వేసి ఆపమని వేడుకున్నా, యుయుధానుడు (సాత్యకి) అతన్ని పడగొట్టాడు.

भूरिश्रवाBhūrishravas (a warrior)
भूरिश्रवा:
Karta
TypeNoun
Rootभूरिश्रवस्
FormMasculine, Nominative, Singular
महेष्वासःgreat archer
महेष्वासः:
Karta
TypeAdjective
Rootमहेष्वास
FormMasculine, Nominative, Singular
तथाthus/also
तथा:
TypeIndeclinable
Rootतथा
प्रायगतःhaving gone to (death), near death
प्रायगतः:
Karta
TypeAdjective
Rootप्रायगत
FormMasculine, Nominative, Singular
रणेin battle
रणे:
Adhikarana
TypeNoun
Rootरण
FormNeuter, Locative, Singular
क्रोशताम्of (those) crying out
क्रोशताम्:
Karta
TypeVerb
Rootक्रुश्
FormPresent active participle (Shatṛ), Masculine, Genitive, Plural
भूमिपालानाम्of kings/earth-protectors
भूमिपालानाम्:
TypeNoun
Rootभूमिपाल
FormMasculine, Genitive, Plural
युयुधानेनby Yuyudhāna (Sātyaki)
युयुधानेन:
Karana
TypeNoun
Rootयुयुधान
FormMasculine, Instrumental, Singular
पातितःfelled/struck down
पातितः:
Karma
TypeVerb
Rootपत्
FormPast passive participle (kta), Masculine, Nominative, Singular

कृप उवाच

K
Kṛpa
B
Bhūriśravā
Y
Yuyudhāna (Sātyaki)
B
bhūmipāla (kings/rulers)
R
raṇa (battlefield)

Educational Q&A

The verse highlights the ethical tension between martial victory and dharma: even in war, the treatment of an opponent who has laid down arms or undertaken a death-vow (prāya) is morally charged. Kṛpa’s framing underscores that public protest by other kings could not prevent an act seen as transgressing accepted battlefield norms.

Kṛpa recounts that Bhūriśravā, famed as a great archer, had sat on the battlefield observing a fast unto death. Despite the loud cries of surrounding kings, Yuyudhāna (Sātyaki) struck him down, an episode remembered as contentious within the war’s moral landscape.