Shloka 17
Dhṛtarāṣṭra–Sañjaya-saṃvādaḥ; madhyāhna-saṅgrāma-pravṛttiḥ
Dhritarashtra–Sanjaya dialogue and the midday battle escalation
ध्वजमेकेन विव्याध सारथथिं चास्य पञ्चभि: | धनुरेकेषुणाविध्यत् तत्राक्रुध्यद् द्विजर्षभ:
dhvajam ekena vivyādha sārathiṁ cāsya pañcabhiḥ | dhanur ekeṣuṇā vidhyat tatrākrudhyad dvijarṣabhaḥ ||
తరువాత ఒక బాణంతో ధ్వజాన్ని, ఐదు బాణాలతో అతని సారథిని, మరొక బాణంతో ధనుస్సును ఛేదించాడు; అప్పుడు ద్విజశ్రేష్ఠుడైన ద్రోణాచార్యుడు కోపంతో రగిలిపోయాడు।
संजय उवाच
Educational Q&A
The verse highlights how mastery in war can be used to disable an opponent’s capacity (banner, charioteer, bow) and thereby provoke moral-emotional reactions; it warns that wounded honor and thwarted power often ignite anger, which can cloud judgment in dharmic conduct.
In Sañjaya’s report of the battle, a warrior shoots precisely: first piercing the chariot’s banner, then striking the charioteer with five arrows, and finally piercing/cutting the bow with one arrow. This display enrages Droṇācārya, described as the foremost Brahmin.