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Shloka 115

उमामहेश्वरव्रतं—पञ्चाक्षरमन्त्रस्य माहात्म्यं, न्यासः, जपविधिः, सदाचारः, विनियोगः

कनिष्ठा रक्षणीया सा जपकर्मणि शोभने अङ्गुष्ठेन जपेज्जप्यम् अन्यैरङ्गुलिभिः सह

kaniṣṭhā rakṣaṇīyā sā japakarmaṇi śobhane aṅguṣṭhena japejjapyam anyairaṅgulibhiḥ saha

శోభనమైన జపకర్మలో కనిష్ఠికను నియమంగా నిలుపవలెను; బొటనవేలితో, ఇతర వేళ్లతో కూడి, జప్యమంత్రాన్ని జపించవలెను।

कनिष्ठाthe little finger
कनिष्ठा:
रक्षणीयाto be guarded/kept restrained
रक्षणीया:
साthat (finger)
सा:
जपकर्मणिin the act of japa/mantra repetition
जपकर्मणि:
शोभनेauspicious/beautiful
शोभने:
अङ्गुष्ठेनwith the thumb
अङ्गुष्ठेन:
जपेत्one should repeat
जपेत्:
जप्यम्the mantra to be repeated
जप्यम्:
अन्यैः अङ्गुलिभिःwith the other fingers
अन्यैः अङ्गुलिभिः:
सहtogether
सह:

Suta Goswami (narrating Shiva-puja and japa procedure within the Linga Purana tradition)

S
Shiva

FAQs

It gives a practical japa-vidhi used in Shiva-sadhana: disciplined finger-use while repeating Shiva-mantras, supporting steadiness (niyama) in Linga-puja.

By emphasizing orderly japa, it points to Shiva as Pati—the liberating Lord—approached through regulated practice that purifies the pashu (individual soul) from pasha (bondage).

Mantra-japa technique: counting/pressing with the thumb while keeping the little finger restrained, a common discipline supporting focused Pashupata-style mantra-sadhana.