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Shloka 53

मदनदाहः — पार्वतीतपः, स्वयंवरलीला, देवस्तम्भनं, दिव्यचक्षुर्दानम्

तत एवं प्रसन्ने तु सर्वदेवनिवारणम् वपुश्चकार देवेशो दिव्यं परममद्भुतम्

tata evaṃ prasanne tu sarvadevanivāraṇam vapuścakāra deveśo divyaṃ paramamadbhutam

అప్పుడు పరిస్థితి శాంతించిన వేళ దేవేశ్వరుడు పరమ ఆశ్చర్యకరమైన దివ్య స్వరూపాన్ని ధరించాడు; అది సమస్త దేవతలను కూడా నియంత్రించి నిలిపివేసే పతిస్వరూపాన్ని ప్రకటించింది।

tataḥthen
tataḥ:
evamthus
evam:
prasannewhen pacified/pleased (state of calm)
prasanne:
tuindeed
tu:
sarva-deva-nivāraṇamrestraining/holding back all the gods
sarva-deva-nivāraṇam:
vapuḥform/body
vapuḥ:
cakāramade/assumed
cakāra:
deveśaḥthe Lord of the Devas (Shiva)
deveśaḥ:
divyamdivine
divyam:
paramamsupreme
paramam:
adbhutamwondrous/marvelous
adbhutam:

Suta Goswami (narrating the Purana; internal scene describes Shiva/Devesha)

S
Shiva
D
Devas

FAQs

It highlights Shiva as the supreme Pati whose divine manifestation subdues all subsidiary powers (devas), implying that Linga-puja is worship of the highest controller beyond all ritual agents and celestial authorities.

Shiva-tattva is shown as sovereign and transcendent: even the devas are ‘restrained’ by his will, indicating that all cosmic functions operate under the Lord who is beyond pasha (bondage) and governs pashus (souls).

The theme aligns with Pashupata discipline of nirodha (restraint): mastering the ‘devas’ as inner sense-powers and mental forces, so the practitioner turns from distributed powers to single-pointed devotion to Mahadeva in Linga-puja.