Hymns to Nārāyaṇa: Humility, Bhakti, Yoga, and the Guṇas
तदनन्तरजान्वक्ष्ये ताञ्छृणु त्वं खगेश्वर / प्रवाहभार्यानन्तरजो विष्वक्सेनोथपार्षदः / वायुपुत्रो महाभागः हरिं स्तोतुं प्रचक्रमे
tadanantarajānvakṣye tāñchṛṇu tvaṃ khageśvara / pravāhabhāryānantarajo viṣvaksenothapārṣadaḥ / vāyuputro mahābhāgaḥ hariṃ stotuṃ pracakrame
ఇక తదనంతరం జన్మించినవానిని చెప్పుదును—ఓ ఖగేశ్వరా, వినుము. ప్రవాహా భార్య నుండి అనంతరజుని తరువాత ప్రభువు పార్షదుడైన విష్వక్సేనుడు, ఆ మహాభాగ వాయుపుత్రుడు, హరిని స్తుతించుటకు ప్రారంభించెను।
Lord Vishnu (narrating to Garuda)
Concept: Devotional hymn (stuti) as a sacred act initiated by a perfected attendant; exemplifies sevā-bhāva.
Vedantic Theme: Bhakti as upāya (means) supported by divine grace and right association (satsaṅga).
Application: Begin spiritual practice with intentional praise/recitation; adopt the attitude of service and attentiveness before worship.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: divine court
Related Themes: Garuda Purana 3.8.14–16 (Viṣvaksena’s bhakti teaching that follows)
This verse frames the transition into a devotional section: the act of praising Hari is presented as an auspicious commencement, establishing bhakti and reverence before further narration.
Indirectly, it signals that devotion to Hari and sacred praise are foundational supports in the text’s larger teachings—often associated with protection, purification, and right orientation of the mind for teachings on death, rites, and the afterlife.
Begin study, rituals, or remembrance of the departed with sincere praise of Viṣṇu—using stotra, nāma-japa, or prayer—to cultivate steadiness, faith, and ethical living aligned with dharma.