Shloka 13

Haristuti-saṅgraha: Devatā–Ṛṣi Praṇāma, Nāma-māhātmya, and Vairāgya from Deha-āsakti

रत्यनन्तरजो दक्षः स्तोतुं समुपचक्रमे

ratyanantarajo dakṣaḥ stotuṃ samupacakrame

అనంతరం రతి తరువాత వెంటనే లేచిన దక్షుడు స్తోత్రం ప్రారంభించాడు।

रति-अनन्तर-जःborn after Rati
रति-अनन्तर-जः:
विशेषण (Adjectival qualifier of कर्ता)
TypeAdjective
Rootरति (प्रातिपदिक) + अनन्तर (प्रातिपदिक) + ज (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; षष्ठी-तत्पुरुषः—‘रत्याः अनन्तरः’ इति, तस्मात् ‘जः’ (born)
दक्षःDakṣa
दक्षः:
कर्ता (Karta/कर्ता)
TypeNoun
Rootदक्ष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन
स्तोतुम्to praise
स्तोतुम्:
प्रयोजन/उद्देश्य (Purpose)
TypeVerb
Rootस्तु (धातु)
Formतुमुन्-प्रत्ययान्त कृदन्त (Infinitive), ‘to praise’
समुपचक्रमेbegan / commenced
समुपचक्रमे:
क्रिया (Action of the subject)
TypeVerb
Rootक्रम् (धातु)
Formलिट् (Perfect), प्रथमपुरुष (3rd), एकवचन; आत्मनेपद; उपसर्गः सम्+उप

Narrator (within the Vishnu–Garuda dialogue frame)

Primary Rasa: shanta

Related Themes: Garuda Purana 3.7.12 (Rati’s stuti ends); Garuda Purana 3.7.14-15 (Dakṣa’s stuti content)

D
Daksha

FAQs

It signals a narrative transition into a hymn of praise, showing how devotion and ritual speech (stotra) is introduced through the figure of Prajāpati Dakṣa.

By specifying the timing—immediately after rati—it highlights that actions and their sequencing are noted in Purāṇic storytelling, often to frame discussions on proper conduct, purity, and the power of praise.

Maintain mindful transitions between personal life and spiritual practice—approach prayer or recitation with awareness, respect, and intentionality.