Shloka 19

Sṛṣṭi-krama: Brahmā’s Sequential Creation of Devas, Sages, and Sense-Presiding Powers

दशवर्षानन्तरं तु निर्ममे नासिक ततः / तस्य भार्यां नासिकस्यः पञ्चवर्षादनन्तरम्

daśavarṣānantaraṃ tu nirmame nāsika tataḥ / tasya bhāryāṃ nāsikasyaḥ pañcavarṣādanantaram

పది సంవత్సరాల అనంతరం ఆయన నాసికను నిర్మించెను. ఆపై ఐదు సంవత్సరాల తరువాత ఆ నాసికకు భార్యగా (స్త్రీ-ప్రతిరూపంగా) సృష్టించెను.

दश-वर्ष-अनन्तरम्after ten years
दश-वर्ष-अनन्तरम्:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootदश (संख्या-प्रातिपदिक) + वर्ष (प्रातिपदिक) + अनन्तर (प्रातिपदिक)
Formअव्ययीभाव-समास; कालवाचक-अव्यय (after ten years)
तुthen/indeed
तु:
None (अव्यय-सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात (indeed/but)
निर्ममेcreated/made
निर्ममे:
Kriya (क्रिया)
TypeVerb
Rootनिर्मा (धातु)
Formलिट्-लकार (Perfect), परस्मैपद, प्रथम-पुरुष, एकवचन
नासिकःNāsika (a person)
नासिकः:
Karta (कर्ता)
TypeNoun
Rootनासिक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/कर्ता), एकवचन
ततःthereupon
ततः:
None (अव्यय-सम्बन्ध)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; क्रियाविशेषण (thereupon/from that)
तस्यof him/of that
तस्य:
Sambandha (सम्बन्ध)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, षष्ठी-विभक्ति (Genitive/सम्बन्ध), एकवचन
भार्याम्wife
भार्याम्:
Karma (कर्म)
TypeNoun
Rootभार्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति (Accusative/कर्म), एकवचन
नासिकस्यof Nāsika
नासिकस्य:
Sambandha (सम्बन्ध)
TypeNoun
Rootनासिक (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (Genitive/सम्बन्ध), एकवचन
पञ्च-वर्षात्from five years
पञ्च-वर्षात्:
Apadana (अपादान)
TypeNoun
Rootपञ्च (संख्या-प्रातिपदिक) + वर्ष (प्रातिपदिक)
Formनपुंसकलिङ्ग, पञ्चमी-विभक्ति (Ablative/अपादान), एकवचन; काल-निर्देश
अनन्तरम्afterwards
अनन्तरम्:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootअनन्तर (प्रातिपदिक)
Formअव्यय; कालवाचक-क्रियाविशेषण

Lord Vishnu (narrating to Garuda)

Concept: Embodiment unfolds in ordered stages; organs and their complementary counterparts arise according to a timed creative sequence.

Vedantic Theme: Kārya-kāraṇa-krama (ordered causation) within prakṛti’s manifestation; the body as a constructed instrument rather than the Self.

Application: Use the staged-creation motif to cultivate disidentification: the senses are assembled instruments; practice restraint and mindful use of smell and breath.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Related Themes: Garuda Purana cosmogony passages enumerating indriya-sṛṣṭi and paired principles (male/female, right/left)

V
Vishnu
G
Garuda

FAQs

It preserves a Purāṇic, step-by-step cosmological narration where creation is described as occurring in sequences and counterparts, highlighting ordered manifestation rather than randomness.

Indirectly: it situates later teachings on the subtle body and post-death experience within a broader framework of how embodied form and its faculties are said to arise in a structured cosmic process.

It encourages viewing life and embodiment as purposeful and ordered, supporting disciplined living (dharma) and mindful use of the senses rather than treating the body as accidental or meaningless.