Worship (Pūjā): Vajra-nābha Maṇḍala Construction, Lotus-Seat Design, and Vaiṣṇava Nyāsa
सिता रक्ता तथा पीता कृष्णा चैव यथाक्रमम् / कृत्वैव मण्डलञ्चादौ न्यासं कृत्वार्चयेद्धरिम्
sitā raktā tathā pītā kṛṣṇā caiva yathākramam / kṛtvaiva maṇḍalañcādau nyāsaṃ kṛtvārcayeddharim
శుక్ల, రక్త, పీత, కృష్ణ—ఈ వర్ణాలను యథాక్రమంగా తీసుకొని ముందుగా మండలాన్ని గీయాలి; తరువాత న్యాసం చేసి శ్రీహరిని ఆరాధించాలి।
Lord Vishnu (in instruction to Garuda/Vinatā-putra)
Concept: Ritual sequence: establish sacred order (maṇḍala), internalize divinity (nyāsa), then offer worship to Hari.
Vedantic Theme: Antaryāmin-bhāva (God within) approached through upāsanā; outer rite supports inner realization.
Application: Before prayer, create a consistent preparatory routine: orderly setup, brief body-mind centering (nyāsa-like placement/affirmations), then focused devotion.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: pūjā-maṇḍala (ritual ground)
Related Themes: Garuda Purana 1.8.13 (specific nyāsa placements of Vyūhas)
This verse places maṇḍala-drawing and nyāsa as the preparatory steps that sanctify the space and the worshipper before performing Hari-pūjā.
Indirectly, it emphasizes disciplined ritual purity and correct procedure (ācāra) as foundational supports for dharma and spiritual progress taught in the Garuda Purana.
Begin any serious worship with orderly preparation—create a clean sacred space, follow a consistent sequence, and mentally ‘install’ the devotion (nyāsa-like focus) before prayer.