Shloka 4

Marakata (Emerald): Mythic Origin, Anti-Poison Virtue, Qualities, Defects, and Proper Wearing

सहसैव मुमोच तत्फणीन्द्रः सुरसाभ्यक्ततुरुष्क (रष्क) पादपायाम् / कलिकाघनगन्धवासिता यां वरमाणिक्यगिरेरुपत्यकायाम्

sahasaiva mumoca tatphaṇīndraḥ surasābhyaktaturuṣka (raṣka) pādapāyām / kalikāghanagandhavāsitā yāṃ varamāṇikyagirerupatyakāyām

అప్పుడే ఆ ఫణీంద్రుడు దానిని విడిచెను—సుగంధ తులసితో అభ్యక్తమైన తురుష్క వృక్షపు పాదమున; శ్రేష్ఠ మాణిక్యగిరి ఉపత్యకలో పుష్పసౌరభం ఘనంగా వ్యాపించి వాయువు పరిమళించెను।

सहसाsuddenly
सहसा:
Kriya-viseshana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootसहसा (अव्यय)
Formरीतिवाचक-अव्यय (adverb of manner)
एवindeed
एव:
Emphasis (अवधारण)
TypeIndeclinable
Rootएव (अव्यय)
Formनिश्चय/अवधारणार्थक-अव्यय (emphatic particle)
मुमोचreleased/let go
मुमोच:
Kriya (Predicate/क्रिया)
TypeVerb
Rootमुच् (धातु)
Formलिट् (परोक्षभूत/Perfect), प्रथमपुरुष, एकवचन, परस्मैपद
तत्that
तत्:
Sambandha (Genitival relation/सम्बन्ध)
TypeAdjective
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम-विशेषण; समासपूर्वपद (that)
फणीन्द्रःthe lord of serpents
फणीन्द्रः:
Karta (Subject/कर्ता)
TypeNoun
Rootफणि + इन्द्र (प्रातिपदिक-समूह)
Formपुंलिङ्ग, प्रथमा (1st case), एकवचन; षष्ठी-तत्पुरुषः (फणिनाम् इन्द्रः)
सुरसाSurasā (a name)
सुरसा:
Instrumental relation (in compound)
TypeNoun
Rootसुरसा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रातिपदिक (समासाङ्ग)
अभ्यक्तanointed
अभ्यक्त:
Qualifier (विशेषण)
TypeAdjective
Rootअभि-ञ्ज्/अञ्ज् (धातु) → अभ्यक्त (कृदन्त-प्रातिपदिक)
Formभूतकृदन्त (क्त), प्रातिपदिक (समासाङ्ग); ‘smeared/anointed’
तुरुष्कTurushka (a substance/term)
तुरुष्क:
Qualifier (विशेषण)
TypeNoun
Rootतुरुष्क (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, प्रातिपदिक (समासाङ्ग); पाठभेदः ‘तुरुष्क/रष्क’
पादपायाम्at the foot/base of the tree
पादपायाम्:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootपादप + आयाम् (प्रातिपदिक-समूह)
Formस्त्रीलिङ्ग, सप्तमी (7th case), एकवचन; षष्ठी-तत्पुरुषः (पादपस्य आयाम्/आयामः) = at the base/extent of the tree
कलिकाbuds
कलिका:
Qualifier (in compound)
TypeNoun
Rootकलिका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रातिपदिक (समासाङ्ग)
घनdense
घन:
Qualifier (in compound)
TypeAdjective
Rootघन (प्रातिपदिक)
Formपुं/नपुंस, प्रातिपदिक (समासाङ्ग); ‘dense’
गन्धfragrance
गन्ध:
Qualifier (in compound)
TypeNoun
Rootगन्ध (प्रातिपदिक)
Formपुंलिङ्ग, प्रातिपदिक (समासाङ्ग)
वासिताperfumed
वासिता:
Karta (Subject complement/कर्ता-विशेषण)
TypeAdjective
Rootवास् (धातु) → वासित (कृदन्त-प्रातिपदिक)
Formभूतकृदन्त (क्त), स्त्रीलिङ्ग, प्रथमा (1st case), एकवचन; ‘perfumed’
याम्which (valley)
याम्:
Karma (Object/कर्म)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd case), एकवचन; सम्बन्धसूचक-यत्
वरexcellent
वर:
Qualifier (in compound)
TypeAdjective
Rootवर (प्रातिपदिक)
Formप्रातिपदिक (समासाङ्ग); ‘excellent’
माणिक्यruby/gem
माणिक्य:
Qualifier (in compound)
TypeNoun
Rootमाणिक्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रातिपदिक (समासाङ्ग)
गिरेःof the mountain
गिरेः:
Sambandha (Genitive/सम्बन्ध)
TypeNoun
Rootगिरि (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th case), एकवचन; ‘of the mountain’ (समासाङ्ग)
उपत्यकायाम्in the valley
उपत्यकायाम्:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootउपत्यका (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (7th case), एकवचन

Lord Vishnu (narrating to Garuda/Vinata-putra)

Concept: Sacred ecology: tulasī fragrance and auspicious landscape as supports for purity and devotion; the environment mirrors inner sattva.

Vedantic Theme: Sattva as clarity and fragrance (metaphorically) that uplifts consciousness; beauty as a doorway to remembrance of the divine.

Application: Create devotional ambience—tulasī, cleanliness, fragrance, and nature-contact—to steady mind and cultivate reverence.

Primary Rasa: adbhuta

Secondary Rasa: shringara

Type: mountain valley / sacred grove

Related Themes: Garuda Purana passages praising tulasī and sacred places; descriptive interludes that frame mythic action with tīrtha-like landscapes

N
Nāga (Phanindra)
T
Tulasī (Surasā)

FAQs

This verse uses tulasī-anointing as a marker of sanctity and auspiciousness, indicating a purified, dharmic setting where sacred actions are performed.

It does not directly discuss the soul’s post-death journey; instead, it paints a sacred landscape within the ongoing narration, a common Purāṇic way to frame events in spiritually charged locations.

Cultivate purity and devotion in daily practice—keeping tulasī with reverence and performing prayers/ritual acts in a clean, sattvic environment.