Nāmāṣṭottara-dviśata: Gaṇa–Chandas–Yati Catalogue and Mnemonic Coding
सा तु कुसुमविचित्रा जलोद्धतगती रसैः / जसौ जसौ च पादेषु चतूरैः स्त्रग्विणी मता
sā tu kusumavicitrā jaloddhatagatī rasaiḥ / jasau jasau ca pādeṣu catūraiḥ stragviṇī matā
ఈ ఛందస్సు ‘స్త్రగ్విణీ’ అని చెప్పబడింది—పుష్పవర్ణవిచిత్రంగా, జలతరంగంలా వేగంగా రసాలలో ప్రవహిస్తూ, నాలుగు పాదాలలో ‘జసౌ జసౌ’ గణక్రమం కలిగినది।
Sūta/Narrator (prosody section describing metres; not a Yama-loka dialogue)
Concept: Chandas-lakshana: defining a metre by gaṇa-pattern and rasa-like movement; knowledge as precise classification.
Vedantic Theme: Viveka (discernment) and śabda as a vehicle of ordered knowledge.
Application: Use gaṇa-coding (jasau jasau) to identify/compose Stragviṇī; recite with a wave-like cadence matching the described gait.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.209 (chandas/gaṇa-nirdeśa sequence: neighbouring verses on Bhujaṅga-prayāta, Maṇimālā, etc.)
This verse defines Stragviṇī by its rhythmic gait, aesthetic effect (rasa), and the specific gaṇa pattern ‘jasau jasau’ across the four pādas—useful for correct recitation and identification of metre.
It gives a diagnostic rule: check each pāda and confirm the gaṇa-sequence ‘jasau jasau’; if present with the described rhythmic character, the verse is classified as Stragviṇī.
Use it to chant with accurate rhythm and to scan verses when learning Sanskrit—correct metre improves memorization, pronunciation, and traditional recitation quality.