Dhvaja–Dhūmra–Paśu-Ākṛti Śakuna: Interpreting Banner, Smoke, and Animal-Form Omens by Stations
ध्वजो धूमो ऽथ सिंहश्च श्वा वृषः खरदन्तिनौ / ध्वाङ्क्षश्च अष्टमो ज्ञेयो नाम मन्त्रैश्च तान्न्यसेत्
dhvajo dhūmo 'tha siṃhaśca śvā vṛṣaḥ kharadantinau / dhvāṅkṣaśca aṣṭamo jñeyo nāma mantraiśca tānnyaset
ధ్వజము, ధూమము, సింహము, శ్వానము, వృషభము, ఖరము మరియు దంతి-రూపము, అలాగే ఎనిమిదవది ధ్వాంక్షము (కాకి)—ఇవి క్రమంగా తెలిసికొనవలెను; వీటిని నామమంత్రాలతో న్యాసం/ఆహ్వానం చేయవలెను।
Lord Vishnu (speaking to Garuda/Vinata-putra)
Concept: Nāma-mantra and nyāsa: naming as a means of invoking and fixing power into loci/forms.
Vedantic Theme: Śabda as śakti within ritual convention; disciplined action channels mind and meaning into form.
Application: If practicing mantra/nyāsa traditions, keep exact sequence and pronunciation; treat symbolic lists as operational, not merely descriptive.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: ritual/yantra-nyasa context
Related Themes: Garuda Purana: mantra efficacy and ritual prescriptions (thematic)
This verse emphasizes that specific forms or symbols are ritually invoked by reciting their names as mantras, indicating a structured method of nyāsa/invocation for protection and correct ritual sequencing.
Garuda Purana frequently links mantras and ritual placements (nyāsa) with safeguarding the departed and guiding subtle transitions; this verse gives a defined set of invoked forms, suggesting a protective or preparatory ritual framework.
If following traditional practice, recite and apply mantras in the prescribed order under guidance; ethically, it teaches disciplined, step-by-step observance rather than improvisation in sacred rites.