वेणुरन्ध्रविभेदेन भेदः षड्जादिसंज्ञितः अभेदव्यापिनो वायोस् तथा तस्य महात्मनः
veṇurandhravibhedena bhedaḥ ṣaḍjādisaṃjñitaḥ abhedavyāpino vāyos tathā tasya mahātmanaḥ
புல்லாங்குழலின் துளை வேறுபாடால் ஷட்ஜம் முதலிய ஸ்வர வேறுபாடுகள் தோன்றுகின்றன; ஆனால் அவற்றில் ஊடுருவும் காற்று பிளவில்லாததே—அதுபோல அந்த மகாத்மத் தத்துவம் ஒன்றாயிருந்தும் பலவாகத் தோன்றுகிறது.
Sage Parāśara (teaching Maitreya)
Concept: Just as one undivided wind produces many musical notes through different flute apertures, the one Reality appears as many through differing conditions.
Vedantic Theme: Maya
Application: When encountering diversity and conflict, recall the ‘flute-and-wind’ model: respond to forms without forgetting the single underlying consciousness.
Vishishtadvaita: Explains plurality as real modes/expressions conditioned by upādhis while the pervading principle remains one—amenable to qualified non-dual unity-in-diversity.
Vishnu Form: Para-Brahman
Bhakti Type: Shanta
It explains how many distinct forms (like musical notes) can arise from different conditions, while the underlying pervading principle (like wind/breath) remains one and undivided.
He shows that differentiation belongs to the ‘channels’ or limiting conditions (the flute holes), not to the pervading essence; likewise, the Supreme remains one even when experienced as manifold.
The verse supports a Vaishnava metaphysics where the Supreme (identified with Vishnu in the Purana’s broader teaching) is the all-pervading reality—unchanged in essence, yet the ground of all manifested plurality.