Shloka 63
The Destruction of Dakṣa’s Sacrifice
तेन सत्येन ते गर्वः समाप्तिमभिगच्छतु । इत्युक्त्वा योगमास्थाय स्वदेहस्थेन तेजसा
tena satyena te garvaḥ samāptimabhigacchatu | ityuktvā yogamāsthāya svadehasthena tejasā
“இந்தச் சத்தியத்தால் உன் அகந்தை முடிவுறுக.” என்று கூறி, தன் உடலிலேயே நிலவும் ஒளித்தேஜஸால் யோகத் தியானத்தில் அமர்ந்தான்.
Unspecified in the provided excerpt (context needed from surrounding verses)
Concept: True power is tejas mastered through yoga; pride is ended by truth and inner realization, not by outward dominance.
Application: When confronted by arrogance or conflict, return to disciplined inner practice; let calm clarity dissolve egoic heat.
Primary Rasa: vira
Secondary Rasa: shanta
Type: temple
Visual Art Cues: {"scene_description":"After uttering a truth that targets pride, the ascetic sits immovable in yogic posture, the world around him blurring into silence. From within his own body a contained sun-like tejas blooms—golden-white—forming a tight aura that contrasts with the restless crowd and the wavering sacrificial flames.","primary_figures":["yogin/tapasvin (unidentified)","onlookers (priests, devas in subtle form)"],"setting":"Edge of the yajña pavilion; fire altar behind; spectators frozen mid-motion as if time slows around the yogin.","lighting_mood":"inner radiance, time-suspended stillness","color_palette":["radiant white-gold","deep indigo","saffron","ember orange","ash gray"],"tanjore_prompt":"Tanjore painting style: central yogin in padmāsana with a thick gold-leaf aura emanating from the torso; surrounding figures and altar rendered with ornate detail; prideful onlookers shown slightly recoiling; embossed gold highlights on the aura and ritual objects, rich maroon and green textiles.","pahari_prompt":"Pahari miniature style: serene yogin with refined features; a soft, circular glow painted in delicate washes; background crowd and altar minimized to emphasize stillness; cool indigo shadows with warm saffron accents; lyrical negative space.","kerala_mural_prompt":"Kerala mural style: bold outlines, symmetrical seated yogin; concentric aura bands in yellow/white; stylized flames behind; strong reds and greens framing the central calm; temple-wall compositional balance.","pichwai_prompt":"Pichwai cloth painting style: yogin centered within a lotus-mandala border; aura depicted as layered floral radiance; altar and attendants arranged symmetrically; deep blue ground with gold and saffron detailing, intricate repeating motifs."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["sustained silence","soft bell resonance","faint fire crackle","single conch note (distant)"]}
Sandhi Resolution Notes: समाप्तिमभिगच्छतु = समाप्तिम् + अभिगच्छतु; इत्युक्त्वा = इति + उक्त्वा; योगमास्थाय = योगम् + आस्थाय; स्वदेहस्थेन = स्व-देह-स्थेन (तत्पुरुष)
FAQs
It teaches that pride (garva) should be brought to an end through the force of truth (satya), implying moral integrity as a corrective to arrogance.
It indicates the speaker shifting from speech to inner discipline—entering concentrated yogic absorption, sustained by inner spiritual radiance (tejas).
No. In this excerpt there is no mention of a tirtha, location, or sacred geography; it focuses on truth, pride, and yogic power.