The Procedure for the Consecration of a Pond
शैशवं पंचनिधनं गायत्रं ज्येष्ठसाम च । वामदेव्यं बृहत्साम रौरवं च रथंतरम्
śaiśavaṃ paṃcanidhanaṃ gāyatraṃ jyeṣṭhasāma ca | vāmadevyaṃ bṛhatsāma rauravaṃ ca rathaṃtaram
‘சைசவம்’, ‘பஞ்சநிதனம்’, ‘காயத்ரம்’, ‘ஜ்யேஷ்ட-ஸாமம்’; மேலும் ‘வாமதேவ்யம்’, ‘ப்ருஹத்-ஸாமம்’, ‘ரௌரவம்’, ‘ரதந்தரம்’—இவை புனித ஸாம வடிவங்கள்।
Unspecified in the provided excerpt (context needed from surrounding verses)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Sandhi Resolution Notes: No mandatory sandhi splits beyond standard word boundaries; all items are names of sāmans in neuter nom/acc singular; compounds: पञ्चनिधनम् (tatpuruṣa), ज्येष्ठसाम/बृहत्साम (karmadhāraya).
It enumerates well-known Sāma-veda chant-forms (sāmans), revered as specific melodic/hymnic configurations used in ritual and recitation.
In isolation it functions primarily as a catalog of sacred chant-names; its theological import depends on the surrounding passage (e.g., praising Vedic sound, ritual, or cosmic order).
Several—such as Rathantara and Bṛhat—are especially prominent in Sāma-vedic liturgy and are frequently cited as eminent chants associated with solemn rites and the sanctity of Vedic recitation.