Shloka 67
Kāruṇya-stotra Phalaśruti; Dream-Darśana of Vāsudeva; Manifestation and Pratiṣṭhā of Jagannātha, Balabhadra (Ananta), and Subhadrā
विचित्राभरणोपेतां रत्नमालावलंबिताम् । पीनोन्नतकुचां रम्यां विश्वकर्मा विनिर्ममे ॥ ६७ ॥
vicitrābharaṇopetāṃ ratnamālāvalaṃbitām | pīnonnatakucāṃ ramyāṃ viśvakarmā vinirmame || 67 ||
விச்வகர்மா அவளை அழகிய பெண்ணாக உருவாக்கினார்; அவள் வியத்தகு ஆபரணங்களால் அலங்கரிக்கப்பட்டு, ரத்தின மாலை தொங்க அணிந்திருந்தாள்; நிறைந்தும் உயர்ந்தும் உள்ள மார்பகங்களால் கவர்ந்தாள்।
Narada (narrative report within the Uttara-Bhaga account)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shringara
FAQs
It highlights the Purāṇic theme that sacred narratives often describe divinely fashioned forms to indicate auspiciousness (śrī) and supernatural origin, preparing the listener for a tīrtha-māhātmya or deity-centered account.
Indirectly: by portraying divine craftsmanship and beauty, it supports devotional contemplation (smaraṇa) and reverence toward the divine order behind sacred places and events, which is a common bhakti aid in Purāṇic storytelling.
No explicit Vedāṅga instruction appears in this verse; it functions as narrative description rather than a technical teaching in Śikṣā, Vyākaraṇa, Kalpa (ritual), or Jyotiṣa.