Kāruṇya-stotra Phalaśruti; Dream-Darśana of Vāsudeva; Manifestation and Pratiṣṭhā of Jagannātha, Balabhadra (Ananta), and Subhadrā
निःसारे दुःखबहुले कामक्रोधसमाकुले । इंद्रियावर्तकलिले दुस्तरे लोमहर्षणे ॥ ४७ ॥
niḥsāre duḥkhabahule kāmakrodhasamākule | iṃdriyāvartakalile dustare lomaharṣaṇe || 47 ||
இந்த சம்சாரம் சாரமற்றது, துயரமிகுந்தது, காமம்-கோபம் நிறைந்தது; இந்திரியச் சுழல்களால் கலங்கியது, கடக்க அரிது, அச்சமூட்டுவது—மெய்சிலிர்க்கச் செய்கிறது.
Narada (teaching in a didactic passage; dialogue tradition with Sanatkumāras implied for Book 2 moral framing)
Vrata: none
Primary Rasa: bhayanaka
Secondary Rasa: shanta
It portrays saṃsāra as intrinsically unstable and painful—agitated by kāma and krodha and clouded by sensory turbulence—thereby urging dispassion (vairāgya) and a turn toward liberating practice.
By emphasizing that the senses create dangerous “whirlpools,” it implicitly points to bhakti as a stabilizing refuge—single-pointed remembrance and surrender that helps one cross what is otherwise “dustara” (hard to traverse).
No specific Vedāṅga technique is taught in this line; the practical takeaway is ethical-spiritual discipline—restraint of the indriyas and management of kāma/krodha—which supports all śāstric study and ritual efficacy.