Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
वस्त्रस्रग्दामकंठस्य पूर्णकुंभस्य चोपरि । संस्थाप्य पूजयेद्देवीं तदलाभे मृदादि वा ॥ ४८ ॥
vastrasragdāmakaṃṭhasya pūrṇakuṃbhasya copari | saṃsthāpya pūjayeddevīṃ tadalābhe mṛdādi vā || 48 ||
ஆடை, மாலை, கழுத்தணியால் அலங்கரிக்கப்பட்ட நிறைந்த கலசத்தின் மேல் (உருவத்தை) நிறுவி தேவியை வழிபட வேண்டும்; அது கிடைக்காவிடில் மண் முதலியவற்றால் கூட (வழிபாடு) செய்யலாம்।
Narada (teaching in a ritual-instruction sequence; dialogue frame traditionally with Sanatkumara)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that devotion is supported by auspicious ritual form (placing the Devi on a sanctified, decorated pūrṇa-kumbha), yet the essence of worship is accessible even with simple substitutes like clay when ideal materials are unavailable.
Bhakti is shown as practical and inclusive: one offers the best available honors (cloth, garlands, adornment) to the Goddess, but sincere worship is not blocked by lack of resources.
It reflects Kalpa (ritual procedure) principles: proper installation (saṃsthāpya), use of auspicious supports like the pūrṇa-kumbha/kalasha, and sanctioned substitutions (pratinidhi-dravya) when prescribed items are unavailable.