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Shloka 33

Adhyāya 325: Nārada in Śvetadvīpa—Stotra to the Nirguṇa Mahātman

स तस्यासनमादिश्य निश्चक्राम ततः पुनः । त॑ चारुवेषा: सुश्रोण्यस्तरुण्य: प्रियदर्शना:

sa tasyāsanam ādiśya niścakrāma tataḥ punaḥ | taṁ cāruveṣāḥ suśroṇyas taruṇyaḥ priyadarśanāḥ, paraṁ pañcāśataṁ nāryo vāramukhyāḥ samādravan |

பீஷ்மர் கூறினார்—அவருக்குரிய ஆசனத்தைச் சுட்டிக் காட்டி அமைச்சர் மீண்டும் வெளியேறினான். அமைச்சர் சென்றவுடன், அழகிய ஆடை அலங்காரமுடைய, மெலிந்த இடையுடைய, இளமைத் திகழும், மனம் கவரும் தோற்றமுடைய ஐம்பது முதன்மை விலைமகளிர் அவனை நோக்கி விரைந்து வந்தனர்.

सःhe
सः:
Karta
TypeNoun
Rootतद्
FormMasculine, Nominative, Singular
तस्यfor him / of him
तस्य:
Sampradana
TypeNoun
Rootतद्
FormMasculine/Neuter, Genitive, Singular
आसनम्seat
आसनम्:
Karma
TypeNoun
Rootआसन
FormNeuter, Accusative, Singular
आदिश्यhaving indicated / having directed
आदिश्य:
TypeVerb
Rootआ√दिश्
Formल्यप् (absolutive/gerund), Parasmaipada (usage-neutral)
निश्चक्रामwent out / departed
निश्चक्राम:
Karta
TypeVerb
Rootनिर्√क्रम्
FormPerfect (लिट्), 3rd, Singular, Parasmaipada
ततःthen / from there
ततः:
TypeIndeclinable
Rootततः
पुनःagain
पुनः:
TypeIndeclinable
Rootपुनः
and
:
TypeIndeclinable
Root
चारुवेषाःof lovely attire
चारुवेषाः:
Karta
TypeAdjective
Rootचारु-वेष
FormFeminine, Nominative, Plural
सुश्रोण्यःhaving beautiful hips
सुश्रोण्यः:
Karta
TypeAdjective
Rootसु-श्रोणि
FormFeminine, Nominative, Plural
तरुण्यःyoung women
तरुण्यः:
Karta
TypeNoun
Rootतरुणी
FormFeminine, Nominative, Plural
प्रियदर्शनाःpleasant to behold
प्रियदर्शनाः:
Karta
TypeAdjective
Rootप्रिय-दर्शन
FormFeminine, Nominative, Plural
परम्exactly / fully (as an intensifier)
परम्:
TypeAdjective
Rootपर
FormNeuter, Accusative, Singular
पञ्चाशतम्fifty (a set of fifty)
पञ्चाशतम्:
TypeNoun
Rootपञ्चाशत्
FormNeuter, Accusative, Singular
नार्यःwomen
नार्यः:
Karta
TypeNoun
Rootनारी
FormFeminine, Nominative, Plural
वारमुख्याःchief courtesans
वारमुख्याः:
Karta
TypeAdjective
Rootवार-मुख्य
FormFeminine, Nominative, Plural
समाद्रवन्ran up / rushed together
समाद्रवन्:
Karta
TypeVerb
Rootसम्-आ√द्रु
FormImperfect (लङ्), 3rd, Plural, Parasmaipada

भीष्म उवाच

B
Bhīṣma
M
minister (rāja-mantrin)
F
fifty chief courtesans (vāramukhyāḥ)
S
seat (āsana)

Educational Q&A

The passage underscores restraint and inner steadiness: worldly allure—beauty, art, charm, and sensual invitation—can be intentionally arranged as a test, and ethical strength is shown by not being driven by desire.

A minister arranges hospitality by indicating a seat and then leaves; immediately afterward, fifty prominent courtesans approach the guest, richly adorned and skilled in arts and conversation, suggesting a planned attempt to entice or examine his composure.