Shloka 101

Adhyāya 284: Tapas as a Corrective to Household Attachment

Parāśara’s Instruction

Devanagari script

गर्भमांससूगालाय तारकाय तराय च । नमो यज्ञाय यजिने हुताय प्रहुताय च

Transliteration

garbhamāṃsaśṛgālāya tārakāya tarāya ca | namo yajñāya yajine hutāya prahutāya ca ||

Translation

கனியின் உள்ளிருக்கும் சதைப்பகுதியை நாடும் நரியெனும் வடிவிற்கும் வணக்கம்; மீட்பவருக்கும், கடத்தும் வழியுமானவருக்கும் வணக்கம். யாகமே ஆனவருக்கும் வணக்கம்; யாகம் செய்பவராக இருப்பவருக்கும் வணக்கம்; அர்ப்பணிக்கப்படும் ஆஹுதியுக்கும் வணக்கம்; அந்த ஆஹுதி செலுத்தப்படும் அக்னிக்கும் வணக்கம்.

Word by Word

• गर्भमांससूगालाय: to the jackal (likened as) greedy for fetal flesh
• गर्भमांससूगालाय: Sampradana
• Type: Noun
• Root: गर्भमांससूगाल
• Form: Masculine, Dative, Singular

• तारकाय: to the savior / deliverer
• तारकाय: Sampradana
• Type: Noun
• Root: तारक
• Form: Masculine, Dative, Singular

• तराय: to the crosser / one who crosses over
• तराय: Sampradana
• Type: Noun
• Root: तर
• Form: Masculine, Dative, Singular

• च: and
• Type: Indeclinable
• Root: च

• नमः: salutation
• Type: Noun
• Root: नमस्
• Form: Neuter, Nominative, Singular

• यज्ञाय: to the sacrifice
• यज्ञाय: Sampradana
• Type: Noun
• Root: यज्ञ
• Form: Masculine, Dative, Singular

• यजिने: to the sacrificer / worshipper
• यजिने: Sampradana
• Type: Noun
• Root: यजिन्
• Form: Masculine, Dative, Singular

• हुताय: to the offered (oblation)
• हुताय: Sampradana
• Type: Adjective
• Root: हुत
• Form: Masculine, Dative, Singular

• प्रहुताय: to the well-offered / specially offered (oblation)
• प्रहुताय: Sampradana
• Type: Adjective
• Root: प्रहुत
• Form: Masculine, Dative, Singular

• च: and
• Type: Indeclinable
• Root: च

Speaker

भीष्म उवाच

Characters & Entities

• Bhishma
• Yajna (sacrifice)
• Yajin/Yajamana (sacrificer)
• Huta (oblation)
• Prahuta (well-offered/ritual fire context)

Educational Q&A

What is the core teaching?

The verse teaches the all-pervasiveness of the Supreme: the same Reality is the worship, the worshipper, the offering, and the fire—so ritual and moral action find their ultimate ground in the One, and liberation is attained by recognizing that One as both the goal (tāraka) and the means (tara).

What is happening in the narrative?

In Shanti Parva’s instruction setting, Bhishma is speaking and offers a stuti (praise/salutation), identifying the divine principle through striking metaphors and through yajña-symbolism, as part of his broader teaching on dharma and the highest good.