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Shloka 22

प्रचेतसां तपः तथा विष्णु-स्तुतिः

The Pracetases’ Ocean Tapas and Hymn to Vishnu

शृणु मैत्रेय गोविन्दं यथापूर्वं प्रचेतसः तुष्टुवुस् तन्मयीभूताः समुद्रसलिलेशयाः

śṛṇu maitreya govindaṃ yathāpūrvaṃ pracetasaḥ tuṣṭuvus tanmayībhūtāḥ samudrasalileśayāḥ

शृणु मैत्रेय, यथापूर्वं प्रचेतसो गोविन्दं तुष्टुवुः। तन्मयीभूताः समुद्रसलिलेशयाः॥

शृणुlisten
शृणु:
Kriya (Action/क्रिया)
TypeVerb
Rootश्रु (धातु)
Formलोट् (आज्ञार्थ/Imperative), मध्यमपुरुष (2nd), एकवचन — ‘hear’
मैत्रेयO Maitreya
मैत्रेय:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootमैत्रेय (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (8th), एकवचन — vocative
गोविन्दम्Govinda
गोविन्दम्:
Karman (Object/कर्म)
TypeNoun
Rootगोविन्द (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन — accusative singular
यथाas
यथा:
Sambandha (Adverbial/सम्बन्ध)
TypeIndeclinable
Rootयथा (अव्यय)
Formअव्यय (उपमान/प्रकारवाचक) — ‘as/according to’
पूर्वम्before/previously
पूर्वम्:
Kala (Time/काल)
TypeIndeclinable
Rootपूर्व (प्रातिपदिक/अव्ययभाव)
Formअव्यय (कालवाचक क्रियाविशेषण) — ‘formerly/before’
प्रचेतसःthe Pracetas
प्रचेतसः:
Karta (Subject/कर्ता)
TypeNoun
Rootप्रचेतस् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन — nominative plural
तुष्टुवुःpraised
तुष्टुवुः:
Kriya (Action/क्रिया)
TypeVerb
Rootस्तु (धातु)
Formलिट् (परोक्षभूत/Perfect), प्रथमपुरुष (3rd), बहुवचन — ‘they praised’
तन्मयीभूताःabsorbed in Him
तन्मयीभूताः:
Karta (Qualifier/कर्ता-विशेषण)
TypeAdjective
Rootतद् (सर्वनाम) + मय (प्रातिपदिक) + भू (धातु) + क्त (कृदन्त)
Formसमासः (तत्पुरुष) ‘तन्मय’ + ‘भूत’ (क्तान्त); पुंलिङ्ग, प्रथमा (1st), बहुवचन — ‘having become absorbed in Him’
समुद्र-सलिल-ईशयाःlords of the ocean-waters
समुद्र-सलिल-ईशयाः:
Karta (Qualifier/कर्ता-विशेषण)
TypeAdjective
Rootसमुद्र (प्रातिपदिक) + सलिल (प्रातिपदिक) + ईशय (प्रातिपदिक)
Formसमासः (तत्पुरुष) ‘समुद्रस्य सलिलस्य ईशयाः/ईशयः’; पुंलिङ्ग, प्रथमा (1st), बहुवचन — epithet qualifying ‘प्रचेतसः’ (lords/masters of ocean-waters)

Sage Parāśara (addressing Maitreya)

M
Maitreya
G
Govinda (Vishnu)
P
Pracetas

FAQs

It presents the Pracetas as ideal devotees whose austerity culminates in direct praise of Vishnu, showing that divine realization and cosmic harmony are grounded in devotion to Govinda.

By describing the Pracetas as 'tanmayībhūtāḥ,' Parāśara frames their hymn as arising from single-pointed immersion in Vishnu, where praise flows from sustained contemplation rather than mere ritual.

Govinda is depicted as the supreme focus of sages’ praise—an ultimate reality and sovereign Lord—toward whom devotion leads to inner union and the right ordering of life and creation.