Shukra’s Curse on King Danda and Andhaka’s Challenge to Shiva
ततः स्वरं समाकर्ण्य गालवस्ते अजानत गन्धर्वकन्येक चैते संदेहो नात्र विद्यते
tataḥ svaraṃ samākarṇya gālavaste ajānata gandharvakanyeka caite saṃdeho nātra vidyate
ततः स्वरं समाकर्ण्य गालवः प्रथमं नाजानात्; पश्चात् अवगच्छत्—‘गन्धर्वकन्ये एते, नात्र संदेहः’ इति।
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
In Purāṇic tīrtha narratives, the appearance (or even the voice) of Gandharvas and their maidens often signals a sanctified zone where divine beings freely move; it functions as a literary marker of the site’s extraordinary purity and merit.
Svara can denote both musical tone and voice. Given the Gandharva association (celestial musicians), the term naturally evokes a melodious, otherworldly sound, though the verse itself does not restrict it to singing alone.