HomeVamana PuranaAdh. 27Shloka 6
Previous Verse
Next Verse

Vamana Purana — Shiva's Wedding Procession (Part 2), Shloka 6

Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)

महास्थिशेखरी चारुरोचनालिकलो हरः सिंहाजिनी चालिनीलभुजङ्गकृतकुण्डलः

mahāsthiśekharī cārurocanālikalo haraḥ siṃhājinī cālinīlabhujaṅgakṛtakuṇḍalaḥ

{'saptaṣaṣṭiḥ': 'sixty-seven', 'koṭyaḥ (koṭi)': 'crores', 'gaṇānām': 'of the gaṇas (divine attendants, often Śiva’s hosts)', 'ṛṣisattama': 'O best of sages', 'caturviṃśat': 'twenty-four', 'jagmuḥ (√gam)': 'went', 'ṛṣīṇām': 'of the sages', 'ūrdhvaretasām': 'of those whose ‘seed/energy is turned upward’; celibate ascetics, self-controlled seers'}

Narrative frame not stated in the provided excerpt (often Pulastya → Nārada in the Vāmana Purāṇa)
Shiva (Hara)
ShaivismIconographyAscetic symbolism

{ "primaryRasa": "adbhuta", "secondaryRasa": "raudra", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Śiva’s adornments invert worldly luxury: bones, skins, and serpents symbolize mastery over fear, death, and desire—an ethic of detachment and inner sovereignty.

It is descriptive material within Vaṃśānucarita/Ākhyāna-style narration (characterization of deities), not a primary cosmogonic (sarga) passage.

Lion-skin indicates untamed power subdued; serpent-earrings signify control of primal energies (nāga/kuṇḍalinī resonances in later readings) and fearlessness in the cremation-ground aesthetic of Śaiva theology.