Vamana Purana — Sarasvata Hymn to Vishnu, Shloka 102

The Sarasvata Hymn to Vishnu (Vishnu-Pañjara) and the Redemption of a Rakshasa

Devanagari script

को ऽन्यो बलेर्वञ्चयिता त्वामृते वै भविष्यति को ऽन्यो नाशयति बलाद् दर्पं हैहयभूपतेः

Transliteration

ko 'nyo balervañcayitā tvāmṛte vai bhaviṣyati ko 'nyo nāśayati balād darpaṃ haihayabhūpateḥ

Translation

[{"question": "What does “paramā siddhi” signify here—worldly success or liberation?", "answer": "In Purāṇic phalaśrutis, “paramā siddhi” typically points to the highest spiritual fruition—progress toward mokṣa—rather than merely worldly prosperity, though ancillary benefits (like removal of inauspicious dreams) are also promised."}, {"question": "Why is dawn (prātaḥ) emphasized for hearing the account?", "answer": "Prātaḥkāla is treated as a sāttvika, ritually pure time conducive to śravaṇa and smaraṇa. The verse frames the practice as a daily discipline, aligning with Purāṇic ideals of regular devotional hearing."}, {"question": "How should “duḥsvapna” be understood in a Purāṇic context?", "answer": "Duḥsvapna denotes inauspicious dreams regarded as omens of inner impurity or impending obstacles. The text claims that devotional hearing neutralizes such inauspiciousness by purifying the mind and karmic residue."}]

Word by Word

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Speakers

• A speaker within the narrative (praise addressed to Viṣṇu) to the Lord (direct second-person address).

Primary Deities

• Vishnu

Key Themes

• Vāmana’s stratagem and dharmic ‘deception’
• Subduing royal pride (darpa-nigraha)
• Divine uniqueness (ko ’nyo… tvāmṛte)
• Kingship, power, and humility

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "vira", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Why is Vāmana’s act described as ‘vañcana’ (outwitting)—is it morally problematic?

In Purāṇic idiom, vañcana here denotes a divine stratagem used to restore cosmic order (dharma). Bali’s boon-granting and conquest had destabilized the balance of worlds; Vāmana’s ‘cleverness’ is portrayed as a compassionate, lawful means to curb excess without mere annihilation.

Who is the ‘Haihaya king’ whose pride is said to be destroyed?

The verse alludes to a Haihaya ruler archetype (often associated in wider Purāṇic memory with Kartavīrya Arjuna or Haihaya sovereignty). The point is thematic: only the Supreme can truly humble the pride of mighty royal lineages.

Does this verse contain any tīrtha or geographic reference typical of the Vāmana Purāṇa?

No explicit river, lake, forest, or tīrtha is named in this śloka; it is a pan-avatāra praise embedded in the Bali narrative rather than a geography (tīrtha-māhātmya) passage.