Bali’s Worship of Sudarshana and Prahlada’s Teaching on Vishnu-Bhakti
हरिवाक्यामृतं पीत्वा विमलैः श्रोत्रभाजनैः प्रहृष्यति मनो येषां दुर्गाण्यतितरन्ति ते
harivākyāmṛtaṃ pītvā vimalaiḥ śrotrabhājanaiḥ prahṛṣyati mano yeṣāṃ durgāṇyatitaranti te
हरिवाक्यामृतं पीत्वा विमलैः श्रोत्रभाजनैः। प्रहृष्यति मनो येषां दुर्गाण्यतितरन्ति ते॥
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
It is a layered metaphor: the ear (and the attentive mind behind it) is the ‘vessel’; when purified (vimala) by right intention and discipline, it can ‘contain’ and assimilate Hari-kathā. ‘Drinking’ indicates not mere listening but inward absorption that transforms the listener.
Purāṇic bhakti frequently treats śravaṇa as foundational: it is accessible, repeatable, and community-based, and it generates remembrance (smaraṇa) and praise (kīrtana). This verse links śravaṇa directly to inner joy and to transcending durgati.
The expression is intentionally broad: it can include mantra, stotra, Purāṇic narration (hari-kathā), and dharma teaching attributed to Hari. The key criterion is that the content is ‘Hari-centered’ and received with purified receptivity.