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Shloka 50

Kāla-vañcana (Overcoming/Outwitting Time) and the Pañcabhūta Basis of the Body

ध्यायतो वंशनादं तु सर्वतत्त्वं प्रजायते । दुन्दुभिं ध्यायमानस्तु जरामृत्युविवर्जितः

dhyāyato vaṃśanādaṃ tu sarvatattvaṃ prajāyate | dundubhiṃ dhyāyamānastu jarāmṛtyuvivarjitaḥ

वंशनादं ध्यायतः सर्वतत्त्वबोधः प्रजायते। दुन्दुभिनादं ध्यायमानस्तु जरामृत्युभ्यां विवर्जितो भवति॥

ध्यायतःof (one) meditating
ध्यायतः:
Sambandha (सम्बन्ध)
TypeVerb
Rootध्यै (धातु)
Formशतृ/शानच्-प्रत्ययान्त कृदन्त (present participle), षष्ठी (6th/Genitive), एकवचन; ‘of one who meditates’
वंशनादम्the sound of the flute/bamboo
वंशनादम्:
Karma (कर्म)
TypeNoun
Rootवंश + नाद (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; षष्ठी-तत्पुरुष (वंशस्य नादः)
तुindeed/but
तु:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात/particle
सर्वतत्त्वम्all reality/all principles
सर्वतत्त्वम्:
Karta (कर्ता)
TypeNoun
Rootसर्व + तत्त्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st), एकवचन; कर्मधारय (सर्वं तत्त्वम्)
प्रजायतेis born/arises
प्रजायते:
Kriya (क्रिया)
TypeVerb
Rootप्र+जन् (धातु)
Formलट् (Present), आत्मनेपद, प्रथमपुरुष (3rd), एकवचन
दुन्दुभिम्the drum (dundubhi)
दुन्दुभिम्:
Karma (कर्म)
TypeNoun
Rootदुन्दुभि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन
ध्यायमानःmeditating (upon)
ध्यायमानः:
Karta (कर्ता)
TypeVerb
Rootध्यै (धातु)
Formशानच्-प्रत्ययान्त कृदन्त (present middle participle), पुंलिङ्ग, प्रथमा (1st), एकवचन
तुindeed
तु:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात/particle
जरामृत्युविवर्जितःfree from old age and death
जरामृत्युविवर्जितः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootजरा + मृत्यु + विवर्जित (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; द्वन्द्वपूर्वपद + उपपद-तत्पुरुष (जरामृत्युभ्यां विवर्जितः = free from old age and death)

Lord Shiva (teaching Uma/Parvati in the Umāsaṃhitā discourse)

Tattva Level: pashu

Shiva Form: Sadāśiva

Sthala Purana: Not a Jyotirliṅga passage; it links nāda-dhyāna to (1) sarva-tattva-jñāna and (2) jarā-mṛtyu-vivarjana—knowledge and deathlessness motifs.

Significance: Reorients ‘siddhi’ toward soteriology: tattva-jñāna (discriminative knowledge) aligns with Śaiva Siddhānta’s path of understanding categories leading to pāśa-kṣaya; jarā-mṛtyu-vivarjana echoes liberation/immortality ideals.

Shakti Form: Umā

Role: liberating

S
Shiva
P
Parvati

FAQs

It teaches nāda-upāsanā (contemplation of sacred sound): subtle sound-reflection awakens tattva-jñāna (knowledge of reality), and deeper absorption grants freedom from the bondage that culminates in aging and death—pointing to Shiva as Pati, the liberator.

Sound-based meditation functions like Linga-worship: the mind is anchored to a sacred support (ālambana). Through Saguna focus (audible symbol), the seeker is led toward the Siddhānta goal—grace-born insight and release from pāśa (bondage).

A practical takeaway is focused meditation on nāda (sacred sound)—either externally (rhythmic, devotional sound) or internally (subtle resonance)—performed with steadiness and purity, as a yogic aid toward tattva-understanding and liberation.