Droṇācārya’s Tapas and the Manifestation of Śiva: The Birth-Grant of Aśvatthāmā (अश्वत्थामा-अवतार-प्रसङ्गः)
इति श्रीशिवमहापुराणे तृतीयायां शतरुद्रसंहितायामश्वत्थामशिवावतारवर्णनं नाम षट्त्रिंशोऽध्यायः
iti śrīśivamahāpurāṇe tṛtīyāyāṃ śatarudrasaṃhitāyāmaśvatthāmaśivāvatāravarṇanaṃ nāma ṣaṭtriṃśo'dhyāyaḥ
इति श्रीशिवमहापुराणे तृतीयायां शतरुद्रसंहितायाम् ‘अश्वत्थामशिवावतारवर्णनम्’ नाम षट्त्रिंशोऽध्यायः समाप्तः।
Suta Goswami
This is a colophon marking the completion of a chapter that frames Aśvatthāmā within Śiva’s manifest (saguṇa) play, reminding devotees that the One Pati can appear through countless forms to uphold cosmic order and impart spiritual lessons.
By naming Aśvatthāmā as connected to Śiva’s avatāra principle, it supports the Purāṇic approach of approaching the Nirguṇa reality through Saguna expressions—just as the Liṅga is the accessible emblem of the formless Śiva for devotion and contemplation.
As a chapter-ending cue, it suggests reflective recitation (svādhyāya) and devotion: conclude with Panchākṣarī japa (“Om Namaḥ Śivāya”) and meditate on Śiva as the inner Lord (Pati) manifesting guidance through forms.