Shloka 64
नंदिन्यां च समासाद्य कूपं त्रिदशसेवितम् । नरमेधस्य यत्पुण्यं तत्प्राप्नोति कुरूद्वह
naṃdinyāṃ ca samāsādya kūpaṃ tridaśasevitam | naramedhasya yatpuṇyaṃ tatprāpnoti kurūdvaha
हे कुरूद्वह! नन्दिन्यां त्रिदशसेवितं कूपं समासाद्य, नरमेधस्य यत्पुण्यं तत्प्राप्नोति।
Pulastya (in dialogue with Bhīṣma)
Concept: Sacred waters sanctified by divine attendance can bestow immense merit; tīrtha substitutes for extreme ritualism.
Application: Choose non-harmful dharmic substitutes: charity, pilgrimage, service, and japa instead of ostentatious or ethically troubling displays.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: river
Visual Art Cues: {"scene_description":"On the bank of the Nandinī, an ancient stone well stands wreathed in moss and garlands, its water gleaming unnaturally clear. Subtle celestial footprints and hovering light suggest the gods’ frequent presence, while a pilgrim draws water with reverence, sensing the weight of immeasurable merit.","primary_figures":["Pulastya (as narrator-sage)","Bhīṣma (listener, implied)","Pilgrim at the well","Devas as faint luminous silhouettes"],"setting":"Riverbank with a venerable well, stone steps, small shrine niche, and flowing Nandinī nearby","lighting_mood":"temple lamp-lit","color_palette":["deep teal","stone gray","marigold orange","moon white","antique gold"],"tanjore_prompt":"Tanjore painting style: sacred well on Nandinī with gold leaf highlights on the water’s surface, devas indicated by small haloed forms above, pilgrim offering flowers, ornate border, rich reds/greens, gem-studded shrine niche, traditional iconographic symmetry.","pahari_prompt":"Pahari miniature style: delicate riverbank scene with a mossy stone well, cool palette, fine linework for ripples and foliage, faint translucent devas in the air, pilgrim drawing water, distant hermitage huts, lyrical naturalism.","kerala_mural_prompt":"Kerala mural style: iconic stone well and river rendered with bold outlines, stylized devas as radiant forms, strong red/yellow/green pigments, pilgrim in añjali, decorative temple-wall framing with lotus bands.","pichwai_prompt":"Pichwai cloth painting style: central well motif surrounded by floral borders and lotuses, symmetrical devotees, deep blues and gold, small celestial attendants above, peacocks perched near the ghāṭa steps, intricate textile patterning."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["water drawn from a well","river flow","single bell strikes","low drone (tanpura)","brief silence after phala-śruti"]}
Sandhi Resolution Notes: यत्+पुण्यम् → यत्पुण्यम्; तत्+प्राप्नोति → तत्प्राप्नोति; कुरू+उद्वह → कुरूद्वह
FAQs
It equates the merit of visiting a specific sacred well on the Nandinī—revered even by the devas—with the merit attributed to a major sacrifice (nara-medha), emphasizing tīrtha-visit as a potent spiritual practice.
‘Kurūdvaha’ means “foremost of the Kurus” and is a conventional honorific typically used for Bhīṣma in Purāṇic narration.
The verse promotes accessible dharma: rather than valorizing difficult rites alone, it highlights pilgrimage and reverence for sacred places as a legitimate means to accrue spiritual merit.