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Shloka 70

Narmadā

Revā) Tīrtha Greatness: The Gandharva Maidens’ Curse Narrative (Acchodā Episode Begins

चंद्रकांतमणिच्छन्ने स्रवद्वारिणि कंदरे । क्षणं वातायने स्थित्वा जलयंत्रगृहेक्षणम्

caṃdrakāṃtamaṇicchanne sravadvāriṇi kaṃdare | kṣaṇaṃ vātāyane sthitvā jalayaṃtragṛhekṣaṇam

चन्द्रकान्तमणिच्छन्ने कन्दरे स्रवद्वारिणि । क्षणं वातायने स्थित्वा जलयन्त्रगृहं ददर्श सः ॥

चन्द्रकान्त-मणि-च्छन्नेin (a cave) covered with moonstone gems
चन्द्रकान्त-मणि-च्छन्ने:
अधिकरण (Adhikaraṇa/Location; qualifies कन्दरे)
TypeAdjective
Rootचन्द्रकान्त (प्रातिपदिक) + मणि (प्रातिपदिक) + छन्न (कृदन्त; √छद् धातु, क्त)
Formनपुंसकलिङ्ग (Neuter), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular); तत्पुरुषः: 'चन्द्रकान्तमणिभिः छन्ने' (covered with moonstone gems)
स्रवत्-वारिणिin which water is flowing
स्रवत्-वारिणि:
अधिकरण (Adhikaraṇa/Location; qualifies कन्दरे)
TypeAdjective
Rootस्रवत् (कृदन्त; √स्रु धातु, शतृ) + वारि (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular); कर्मधारयः: 'स्रवत् वारि यस्मिन्' (where water is flowing)
कन्दरेin the cave, cavern
कन्दरे:
अधिकरण (Adhikaraṇa/Location)
TypeNoun
Rootकन्दर (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular)
क्षणम्for a moment
क्षणम्:
कालाधिकरण (Kāla-adhikaraṇa/Temporal extent)
TypeNoun
Rootक्षण (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); काल-अवधि (duration)
वातायनेat the window
वातायने:
अधिकरण (Adhikaraṇa/Location)
TypeNoun
Rootवातायन (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular)
स्थित्वाhaving stood
स्थित्वा:
क्रियाविशेषण (Kriyā-viśeṣaṇa/Adverbial to main action)
TypeVerb
Root√स्था (धातु) + त्वा (क्त्वा-प्रत्यय)
Formक्त्वान्त-अव्ययकृदन्त (Gerund/Absolutive); 'having stood'
जल-यन्त्र-गृह-ईक्षणम्the sight/viewing of the water-machine house
जल-यन्त्र-गृह-ईक्षणम्:
कर्म (Karma/Object)
TypeNoun
Rootजल (प्रातिपदिक) + यन्त्र (प्रातिपदिक) + गृह (प्रातिपदिक) + ईक्षण (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); तत्पुरुष-समासः: 'जलयन्त्रस्य गृहं' (house of the water-device) + 'तस्य ईक्षणम्' (viewing/looking at it)

Unspecified (narrative verse; speaker not given in the provided excerpt)

Concept: Marvels of environment and technology enchant the mind, yet the wise remain a witness—seeing without being possessed by what is seen.

Application: Practice mindful seeing: pause before attractive stimuli, observe calmly, and choose actions aligned with vows, worship, and ethical duty.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: celestial_realm

Visual Art Cues: {"scene_description":"A hidden cavern lined with moonstone plates glows with cool, milky radiance. Thin threads of water trickle down the rock face into a channel, while a lone figure pauses at a carved stone window, gazing toward an ingenious water-engine house whose wheels shimmer with spray.","primary_figures":["a contemplative noble/visitor","attendant silhouettes (optional)"],"setting":"moonstone-clad cavern with a window opening toward a hydraulic pavilion (jalayantra-gṛha), carved pillars, wet rock textures, fine mist","lighting_mood":"moonlit","color_palette":["moonstone white","silver blue","slate gray","aquamarine","soft pearl"],"tanjore_prompt":"Tanjore painting style: a moonstone cavern rendered as a jeweled shrine-like grotto, the visitor in ornate silk standing at a carved window, gold leaf highlighting the moonstone inlays and the water-engine pavilion beyond; rich reds and emerald accents in garments, gem-studded ornaments, stylized South Indian architectural motifs, delicate spray of water picked out with white and gold.","pahari_prompt":"Pahari miniature style: cool luminous cavern with delicate stippling for moonstone, thin rivulets of water, a refined figure at a jharokha-like window looking toward a small hydraulic house; lyrical naturalism, pale blues and grays, fine facial features, minimal but poetic landscape framing.","kerala_mural_prompt":"Kerala mural style: bold black outlines defining the cavern’s curves, moonstone panels as pale blocks, flowing water as rhythmic white lines; the figure in traditional ornaments, strong reds/yellows/greens, temple-wall aesthetic with a stylized jalayantra pavilion in the distance.","pichwai_prompt":"Pichwai cloth painting style: a decorative grotto scene with lotus and water motifs bordering the composition, deep indigo background, gold highlights on moonstone and water spray; the window framed by floral borders, the water-engine pavilion stylized like a sacred kiosk, intricate patterning throughout."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["flowing water","soft echo in a cavern","distant temple bell (faint)","gentle breeze"]}

Sandhi Resolution Notes: चंद्रकांतमणिच्छन्ने → चन्द्रकान्त-मणि-च्छन्ने; स्रवद्वारिणि → स्रवत्-वारिणि; जलयंत्रगृहेक्षणम् → जल-यन्त्र-गृह-ईक्षणम्

FAQs

A richly appointed cavern—covered with candrakānta (moonstone)—with continuously trickling water, and a brief pause at a window to view a chamber that houses a water-driven mechanism (jala-yantra).

Literally “water-mechanism/engine”; it can indicate a water-lifting or water-powered device (a mechanical arrangement for moving or regulating water) housed in a dedicated chamber (gṛha).

Not directly in this line; it functions primarily as scene-setting through architectural and natural imagery, likely supporting a broader narrative in the surrounding verses.