महाराज! अभिषेक हो जानेपर अभश्वत्थामाने नृपश्रेष्ठ दुर्योधनको हृदयसे लगाया और अपने सिंहनादसे सम्पूर्ण दिशाओंको प्रतिध्वनित करते हुए वहाँसे प्रस्थान किया ।।
sañjaya uvāca | mahārāja! abhiṣeke ho jāne para aśvatthāmāne nṛpaśreṣṭha duryodhanaṃ hṛdayena āliṅgya, sva-siṃhanādena sampūrṇā diśaḥ pratidhvanitāḥ kṛtvā tataḥ prasthitaḥ || duryodhano 'pi rājendra śoṇitena pariplutaḥ | tāṃ niśāṃ pratipede 'tha sarvabhūta-bhayāvahām ||
सञ्जय उवाच—महाराज! अभिषेकसमाप्तेऽश्वत्थामा नृपश्रेष्ठं दुर्योधनं हृदयेनालिङ्ग्य, सिंहनादेन सर्वा दिशः प्रतिध्वनयन् तस्मात् स्थानात् प्रस्थितवान्। दुर्योधनोऽपि राजेन्द्र शोणितेन परिप्लुतः, सर्वभूतभयावहां तां निशाम् तत्रैवात्यवाहयत्।
संजय उवाच
The verse highlights the moral atmosphere of the war’s endgame: outward triumph (the lion-roar and departure) stands beside inner and cosmic dread (a night ‘fearful to all beings’). It suggests that violence and adharma do not yield peace; even the victors are left blood-soaked, haunted, and surrounded by fear.
After a consecration ceremony (abhiṣeka), Ashvatthama warmly embraces Duryodhana and leaves with a roaring proclamation. Duryodhana, grievously wounded and covered in blood, remains and spends the night there—described as a terrifying night that instills fear in all creatures.